Full_digest_rescheduled/index/7.Critique_Art_Politics-index.js
2020-01-21 11:38:31 +01:00

4849 lines
95 KiB
JavaScript
Raw Blame History

This file contains ambiguous Unicode characters

This file contains Unicode characters that might be confused with other characters. If you think that this is intentional, you can safely ignore this warning. Use the Escape button to reveal them.

{
"orphan": {
"10:59": [
"7.1.22"
],
"21:29": [
"7.1.3"
],
"750+ american military": [
"7.0.0"
],
"9:44": [
"7.1.19"
],
"aart van barneveld": [
"7.1.5"
],
"abused by culture": [
"7.1.12"
],
"academic": [
"7.1.2"
],
"academic discourse ruled": [
"7.1.7"
],
"act": [
"7.0.6",
"7.2.2"
],
"activating critical faculties": [
"7.2.3"
],
"active collection policy": [
"7.1.5"
],
"active military adventures": [
"7.0.1"
],
"activism doesn": [
"7.1.0"
],
"activists": [
"7.1.1"
],
"activists is killing": [
"7.1.1"
],
"actual social realities": [
"7.0.8"
],
"addiction": [
"7.0.2"
],
"addicts": [
"7.1.22"
],
"admire": [
"7.1.15"
],
"adorno / lyotard": [
"7.0.8",
"7.0.9"
],
"adrian piper": [
"7.1.9"
],
"adrian piper work": [
"7.1.9"
],
"aesthetic": [
"7.0.0",
"7.1.17"
],
"aesthetic form doesn": [
"7.1.17"
],
"aesthetic pain": [
"7.1.0"
],
"aesthetics matter": [
"7.2.0"
],
"aesthetik der installation": [
"7.1.10",
"7.1.10"
],
"agents": [
"7.0.4"
],
"agents view themselves": [
"7.0.4"
],
"agile security state": [
"7.0.4"
],
"agree": [
"7.1.1",
"7.1.21",
"7.2.3"
],
"agree with keith": [
"7.0.6"
],
"agree.": [
"7.1.11"
],
"air force": [
"7.0.2"
],
"air force generals": [
"7.0.5"
],
"aka": [
"7.1.1"
],
"aka transparency": [
"7.1.1"
],
"alternative pornography movement": [
"7.1.8",
"7.1.9"
],
"alternatives": [
"7.0.8",
"7.0.9"
],
"am somewhat curious": [
"7.1.5"
],
"ambitious": [
"7.2.2"
],
"america": [
"7.0.2"
],
"america town": [
"7.0.2"
],
"american": [
"7.0.0",
"7.0.1",
"7.0.9"
],
"american bases": [
"7.0.1"
],
"american causalities": [
"7.0.1",
"7.0.1"
],
"american contractor": [
"7.0.5"
],
"american hegemony": [
"7.0.9"
],
"american military": [
"7.0.0"
],
"american military bases": [
"7.0.0",
"7.0.0"
],
"american political": [
"7.0.1"
],
"american political life": [
"7.0.1",
"7.0.1"
],
"american universities": [
"7.0.9"
],
"americans": [
"7.0.1"
],
"amsterdam cable tv": [
"7.1.5"
],
"and,a s brian": [
"7.1.18"
],
"anthropological": [
"7.1.11"
],
"anticipate aesthetic impact": [
"7.1.0"
],
"apologists openly discuss": [
"7.0.4"
],
"apparent economic demise": [
"7.0.8",
"7.0.9"
],
"appreciating.": [
"7.1.16"
],
"approach": [
"7.0.10"
],
"approach media": [
"7.1.12"
],
"approach media art": [
"7.1.12",
"7.1.12"
],
"appropriated": [
"7.1.11",
"7.1.12"
],
"appropriated by culture": [
"7.1.11"
],
"arbitrary": [
"7.0.5"
],
"area": [
"7.1.11"
],
"areas": [
"7.0.10"
],
"arguments": [
"7.0.4"
],
"art": [
"7.0.0",
"7.0.1",
"7.0.2",
"7.0.8",
"7.0.9",
"7.1.0",
"7.1.1",
"7.1.2",
"7.1.3",
"7.1.4",
"7.1.5",
"7.1.6",
"7.1.7",
"7.1.8",
"7.1.9",
"7.1.10",
"7.1.11",
"7.1.12",
"7.1.13",
"7.1.14",
"7.1.15",
"7.1.16",
"7.1.17",
"7.1.18",
"7.1.19",
"7.1.20",
"7.1.21",
"7.1.22",
"7.2.0",
"7.2.1",
"7.2.2",
"7.2.3"
],
"art autonomy": [
"7.1.9"
],
"art biennales": [
"7.1.2",
"7.1.2"
],
"art branch": [
"7.1.2"
],
"art credits": [
"7.1.2"
],
"art critic": [
"7.2.0"
],
"art criticism": [
"7.0.0",
"7.2.0"
],
"art critics raise": [
"7.2.0"
],
"art discourse": [
"7.1.21",
"7.1.21"
],
"art doesn": [
"7.1.0"
],
"art education": [
"7.1.9"
],
"art exhibitions": [
"7.1.20",
"7.1.22"
],
"art fit": [
"7.1.17"
],
"art form": [
"7.1.11"
],
"art funding": [
"7.1.8"
],
"art goes beyond": [
"7.1.21"
],
"art institute": [
"7.1.0",
"7.1.5"
],
"art institute moves": [
"7.1.5"
],
"art is autonomous": [
"7.1.16"
],
"art is creating": [
"7.1.16"
],
"art is important": [
"7.2.3"
],
"art justifies": [
"7.0.1",
"7.0.2"
],
"art justifies life": [
"7.0.1",
"7.0.2"
],
"art necessarily causes": [
"7.1.18"
],
"art network": [
"7.1.8",
"7.1.9"
],
"art practice": [
"7.1.2",
"7.1.7"
],
"art questions": [
"7.1.1"
],
"art school": [
"7.1.23"
],
"art school departments": [
"7.1.23"
],
"art school media": [
"7.1.8"
],
"art stands": [
"7.0.0"
],
"art system": [
"7.1.8",
"7.1.9"
],
"art work": [
"7.1.12"
],
"art works": [
"7.1.0"
],
"art-philosophical": [
"7.1.12"
],
"art-philosophical perspective": [
"7.1.12"
],
"art-philosophy": [
"7.1.13"
],
"artist": [
"7.1.0",
"7.1.7",
"7.1.11",
"7.1.12",
"7.1.13",
"7.1.15",
"7.1.16",
"7.1.18",
"7.2.0"
],
"artist has full": [
"7.1.15"
],
"artist wafaa bilal": [
"7.1.0"
],
"artist. rama": [
"7.1.16"
],
"artistic": [
"7.2.0"
],
"artistic activism": [
"7.2.0",
"7.2.0"
],
"artistic activist": [
"7.2.0"
],
"artistic activist medium": [
"7.2.0"
],
"artistic credibility": [
"7.1.2"
],
"artistic practice": [
"7.1.8"
],
"artistic quality": [
"7.1.20"
],
"artists": [
"7.0.8",
"7.1.2",
"7.1.5",
"7.1.7",
"7.2.0"
],
"artists based": [
"7.1.5"
],
"arts": [
"7.1.0",
"7.1.2",
"7.1.5",
"7.1.6",
"7.1.7",
"7.1.8",
"7.1.11",
"7.1.14",
"7.1.20"
],
"arts circles": [
"7.1.17"
],
"arts crisis": [
"7.1.6"
],
"arts education": [
"7.1.2"
],
"arts field": [
"7.1.10",
"7.1.20",
"7.1.23"
],
"artwork": [
"7.1.13"
],
"asked": [
"7.0.5"
],
"aspects": [
"7.0.10"
],
"attention": [
"7.1.18",
"7.2.3"
],
"attention amounts": [
"7.1.18"
],
"attention payer": [
"7.1.18"
],
"audience": [
"7.2.0",
"7.2.3"
],
"audience members": [
"7.2.3"
],
"authorship": [
"7.1.19"
],
"autonomous": [
"7.1.16"
],
"autonomous art": [
"7.1.8"
],
"autonomous artistic practice": [
"7.1.8"
],
"autonomy": [
"7.1.16",
"7.1.21"
],
"avant-garde negation": [
"7.0.9"
],
"avi file": [
"7.1.19"
],
"awareness": [
"7.1.15"
],
"bad": [
"7.1.10",
"7.1.14"
],
"bad art": [
"7.1.10",
"7.1.14"
],
"bad personal experience": [
"7.1.8"
],
"bag media collective": [
"7.2.2"
],
"base alternative strategies": [
"7.0.9"
],
"based": [
"7.1.5"
],
"based arts": [
"7.1.5"
],
"based arts decide": [
"7.1.5"
],
"based arts established": [
"7.1.5"
],
"based arts foundation": [
"7.1.5",
"7.1.5"
],
"based arts maintained": [
"7.1.5"
],
"based arts merges": [
"7.1.5"
],
"based arts played": [
"7.1.5"
],
"based arts reflects": [
"7.1.5",
"7.1.5"
],
"based theatre": [
"7.2.2"
],
"bases": [
"7.0.0",
"7.0.1"
],
"basic": [
"7.1.21"
],
"basics": [
"7.1.22"
],
"basis of art": [
"7.1.16"
],
"baudrillard": [
"7.1.6",
"7.1.11"
],
"beatriz da costa": [
"7.1.7"
],
"beautiful": [
"7.1.18"
],
"beautiful and thought-provoking": [
"7.1.18"
],
"begin": [
"7.1.4"
],
"begin pgp": [
"7.1.4"
],
"begin pgp signed": [
"7.1.4"
],
"below vietnam levels": [
"7.0.1",
"7.0.2"
],
"benefits": [
"7.0.10"
],
"benjamin mako hill": [
"7.1.4"
],
"berlin": [
"7.1.22"
],
"bertolt brecht": [
"7.2.3"
],
"bertolt brecht ideas": [
"7.2.3"
],
"biennale curator": [
"7.1.2"
],
"bilal": [
"7.1.0"
],
"bioart": [
"7.1.14"
],
"bizarre": [
"7.0.5"
],
"bizarre complex": [
"7.0.5",
"7.0.5"
],
"blackbenz race project": [
"7.1.0"
],
"blogger michel chevalier": [
"7.1.8"
],
"boal-based theatre": [
"7.2.2"
],
"boring": [
"7.1.21"
],
"bourgeois jet set": [
"7.1.2",
"7.1.7"
],
"branch": [
"7.1.2",
"7.1.3"
],
"branch that deals": [
"7.1.3"
],
"brecht ideas": [
"7.2.3"
],
"brecht performance": [
"7.2.3"
],
"brecht performance practices": [
"7.2.3"
],
"brecht play": [
"7.2.3",
"7.2.3"
],
"brian": [
"7.0.1",
"7.0.3",
"7.0.4",
"7.0.8",
"7.1.13",
"7.1.18",
"7.1.19"
],
"brian holmes": [
"7.0.8",
"7.1.19"
],
"brian holmes <brian": [
"7.1.19"
],
"brian holmes wrote": [
"7.0.8",
"7.0.8"
],
"brian suggests": [
"7.1.18"
],
"bring": [
"7.1.15"
],
"bring about explicit": [
"7.1.15"
],
"bring implicit change": [
"7.1.13"
],
"british empire": [
"7.0.1"
],
"broad internet": [
"7.0.10"
],
"broad internet inclusion": [
"7.0.10",
"7.0.10"
],
"build two-room designer-appointed": [
"7.0.5"
],
"bullshit art world": [
"7.2.0"
],
"bush": [
"7.0.7"
],
"bush administration": [
"7.0.5"
],
"bush administration plans": [
"7.0.5",
"7.0.5"
],
"bypass": [
"7.1.13"
],
"bypass social": [
"7.1.13"
],
"bypass social determinism": [
"7.1.12",
"7.1.13",
"7.1.13"
],
"called": [
"7.0.0"
],
"called fine arts": [
"7.1.2",
"7.1.7"
],
"called kapitalism": [
"7.0.6"
],
"canada": [
"7.0.10"
],
"canada hosted": [
"7.0.10"
],
"capable": [
"7.1.13"
],
"capital": [
"7.0.4"
],
"capitalism": [
"7.0.3"
],
"capture attention": [
"7.1.18"
],
"carlos": [
"7.1.18",
"7.1.23"
],
"carlos katastrofsky": [
"7.1.17",
"7.1.20",
"7.1.23"
],
"carlos katastrofsky wrote": [
"7.1.17",
"7.1.17",
"7.1.20",
"7.1.20",
"7.1.23",
"7.1.23"
],
"case": [
"7.0.8"
],
"cause continued imperialism": [
"7.0.1",
"7.0.2"
],
"celui qui aime": [
"7.0.0"
],
"central bank treasuries": [
"7.0.4"
],
"central banks": [
"7.0.4"
],
"challenging and stimulating": [
"7.0.8"
],
"chalmers johnson calls": [
"7.0.0"
],
"chance": [
"7.0.0"
],
"change": [
"7.0.0",
"7.1.13",
"7.1.15",
"7.1.16",
"7.2.0",
"7.2.2"
],
"change defines": [
"7.1.16"
],
"changed": [
"7.1.16"
],
"changing media": [
"7.1.6"
],
"china": [
"7.0.1",
"7.0.4",
"7.0.9"
],
"christian huebler showcased": [
"7.1.0"
],
"citaat": [
"7.1.1"
],
"citaat van": [
"7.1.1"
],
"city light books": [
"7.1.0"
],
"city marketing": [
"7.1.0"
],
"civil": [
"7.0.10"
],
"civil society": [
"7.0.10"
],
"civil society representative": [
"7.0.10",
"7.0.10"
],
"classic": [
"7.1.7"
],
"classic issue": [
"7.1.7",
"7.1.8"
],
"clothes": [
"7.1.7"
],
"clumsy": [
"7.0.4"
],
"clumsy arguments": [
"7.0.3",
"7.0.4"
],
"cold": [
"7.0.2"
],
"cold war conditions": [
"7.0.2"
],
"cold war era": [
"7.0.8",
"7.0.9",
"7.0.9"
],
"cold war standoff": [
"7.0.2"
],
"cold warbody": [
"7.0.9"
],
"collection": [
"7.1.5"
],
"collective": [
"7.2.2"
],
"collective doing": [
"7.2.2"
],
"com didn": [
"7.1.0"
],
"comfortable estrangement": [
"7.0.4"
],
"coming": [
"7.0.6"
],
"commando capital investment": [
"7.0.4"
],
"commercial art world": [
"7.2.0"
],
"common media art": [
"7.1.0"
],
"communication": [
"7.1.15",
"7.1.17",
"7.1.19"
],
"communication via media": [
"7.1.19"
],
"community centres etc": [
"7.2.2"
],
"community theatre": [
"7.2.2"
],
"complete autonomy": [
"7.1.16"
],
"completely unprecedented world": [
"7.0.4"
],
"complex": [
"7.0.4",
"7.0.5",
"7.0.6"
],
"complex human process": [
"7.1.4"
],
"complex interweaving": [
"7.0.5",
"7.0.5",
"7.0.6"
],
"complex interweaving produces": [
"7.0.5",
"7.0.5",
"7.0.6"
],
"concept": [
"7.0.8",
"7.0.9",
"7.1.20"
],
"concept of empire": [
"7.0.8",
"7.0.9"
],
"concerned": [
"7.1.10",
"7.1.14",
"7.1.23"
],
"condition": [
"7.1.6"
],
"conditions": [
"7.1.6"
],
"conditions produce": [
"7.1.6"
],
"conference in nyc": [
"7.2.0"
],
"confining military expenditures": [
"7.0.3",
"7.0.3"
],
"consciously drawn": [
"7.1.18"
],
"consequences": [
"7.1.17"
],
"considerable time": [
"7.1.5"
],
"conspire": [
"7.1.22"
],
"constituting entire narrative": [
"7.1.17"
],
"contemporary": [
"7.1.2",
"7.1.7",
"7.1.8",
"7.1.9",
"7.1.20",
"7.1.21",
"7.1.22"
],
"contemporary art credits": [
"7.1.2"
],
"contemporary art deals": [
"7.1.20",
"7.1.21"
],
"contemporary art discourse": [
"7.1.2",
"7.1.2",
"7.1.20",
"7.1.21"
],
"contemporary art exhibitions": [
"7.1.20"
],
"contemporary art field": [
"7.1.8"
],
"contemporary art gallery": [
"7.1.8",
"7.1.8"
],
"contemporary art journals": [
"7.1.8",
"7.1.8",
"7.1.9"
],
"contemporary art magazines": [
"7.1.2"
],
"contemporary art space": [
"7.1.20",
"7.1.22",
"7.1.22"
],
"contemporary art spaces": [
"7.1.8",
"7.1.9",
"7.1.9"
],
"contemporary art system": [
"7.1.8",
"7.1.8",
"7.1.9"
],
"contemporary artist": [
"7.1.2"
],
"contemporary arts": [
"7.1.8"
],
"contemporary arts space": [
"7.1.8",
"7.1.8"
],
"contemporary classical music": [
"7.1.20"
],
"contemporary discourse": [
"7.1.21"
],
"contemporary fine": [
"7.1.8",
"7.1.9"
],
"contemporary fine art": [
"7.1.8",
"7.1.9"
],
"contemporary popular music": [
"7.1.8"
],
"context": [
"7.0.9",
"7.1.21"
],
"continued american decline": [
"7.0.9"
],
"continued return": [
"7.0.9"
],
"continues": [
"7.1.15"
],
"continues to create": [
"7.1.15"
],
"conventional human": [
"7.1.4"
],
"country": [
"7.0.1",
"7.0.2"
],
"cramer wrote": [
"7.1.22"
],
"create": [
"7.1.12",
"7.1.13",
"7.1.15"
],
"create alternative possibilities": [
"7.1.12"
],
"create art": [
"7.1.12",
"7.1.13"
],
"create works": [
"7.1.15"
],
"created": [
"7.1.13"
],
"creating": [
"7.1.12"
],
"creating and appreciating.": [
"7.1.16"
],
"creating false enemies": [
"7.1.7",
"7.1.8"
],
"creating meaning": [
"7.1.12"
],
"creative": [
"7.1.4",
"7.1.23",
"7.2.0"
],
"creative activist practice": [
"7.2.0"
],
"creative activists": [
"7.2.0"
],
"creative commons hollow": [
"7.1.4"
],
"creative experimentation": [
"7.1.23"
],
"creative forces": [
"7.1.23"
],
"creative impulse": [
"7.1.23",
"7.1.23"
],
"creative time conference": [
"7.2.0"
],
"creativity": [
"7.1.4"
],
"crisis": [
"7.1.6"
],
"critic": [
"7.0.0",
"7.2.0"
],
"critical": [
"7.2.2",
"7.2.3"
],
"critical attention": [
"7.2.3"
],
"criticism": [
"7.2.0"
],
"critics": [
"7.2.0",
"7.2.1"
],
"critics writing": [
"7.2.1"
],
"critique tout court": [
"7.1.17"
],
"cuarto": [
"7.0.7"
],
"cube installation art": [
"7.1.20"
],
"cultural": [
"7.0.6",
"7.0.8",
"7.0.9"
],
"cultural heritage": [
"7.1.0"
],
"culture": [
"7.1.8",
"7.1.11",
"7.1.12"
],
"curator": [
"7.1.7"
],
"curator jens hauser": [
"7.1.14"
],
"curator susanne": [
"7.1.0"
],
"curator susanne jaschko": [
"7.1.0"
],
"curatorial projects": [
"7.1.9"
],
"current technoscientific system": [
"7.1.13"
],
"damp sunday afternoon": [
"7.0.8",
"7.0.9"
],
"dandyish pygmy": [
"7.0.7"
],
"dark technological determinism": [
"7.1.17"
],
"de appel flourished": [
"7.1.5"
],
"dead": [
"7.0.6",
"7.1.23"
],
"dead ancestor": [
"7.0.7"
],
"dead emblems": [
"7.0.6"
],
"dead end": [
"7.1.23"
],
"dead fig leafs": [
"7.0.6"
],
"deadlines": [
"7.0.5"
],
"dealing": [
"7.1.10",
"7.1.14",
"7.1.20",
"7.1.21",
"7.1.23"
],
"deals": [
"7.1.3"
],
"dear": [
"7.2.3"
],
"dear flick": [
"7.2.3"
],
"debord and followers": [
"7.1.6"
],
"debt inspired valuations": [
"7.0.4"
],
"debt instruments": [
"7.0.4"
],
"debt rises": [
"7.0.4"
],
"deep": [
"7.1.22"
],
"defined": [
"7.1.11",
"7.1.12"
],
"defines": [
"7.1.16"
],
"defining": [
"7.1.10",
"7.1.14",
"7.1.20"
],
"defining art": [
"7.1.10",
"7.1.10",
"7.1.14",
"7.1.20",
"7.1.20"
],
"defining media": [
"7.1.11"
],
"defining media art": [
"7.1.11",
"7.1.11"
],
"definition": [
"7.0.2",
"7.1.21"
],
"definition of art": [
"7.0.2"
],
"delayed response": [
"7.1.9"
],
"demoralizing life events": [
"7.2.3"
],
"departing curator susanne": [
"7.1.0"
],
"der grosse preis": [
"7.1.8"
],
"der spek": [
"7.1.1"
],
"describe": [
"7.1.19"
],
"despot": [
"7.0.6",
"7.0.7"
],
"despot feels": [
"7.0.6"
],
"destructive excesses evident": [
"7.1.4"
],
"determinism": [
"7.1.13"
],
"dialectics": [
"7.0.8"
],
"differentiated": [
"7.0.6"
],
"differentiated system": [
"7.0.6"
],
"difficult": [
"7.2.2"
],
"difficult to evaluate": [
"7.2.2"
],
"digital": [
"7.1.0",
"7.1.3"
],
"digital moved": [
"7.1.2",
"7.1.3"
],
"digital notion universe": [
"7.1.8"
],
"digitised media infrastructures": [
"7.0.8"
],
"direct military establishment": [
"7.0.2"
],
"direct political action": [
"7.1.17"
],
"directed": [
"7.0.5"
],
"director heiner holtappels": [
"7.1.0",
"7.1.7"
],
"disagree": [
"7.0.1",
"7.0.2"
],
"discourse": [
"7.1.21"
],
"discourse ruled": [
"7.1.2"
],
"displays": [
"7.0.5"
],
"displays of power": [
"7.0.5"
],
"disruptions appearing": [
"7.1.17"
],
"distinctly political definition": [
"7.0.2"
],
"domain": [
"7.0.8",
"7.0.9"
],
"dominant": [
"7.0.6"
],
"dominant despot": [
"7.0.7"
],
"dominant modes": [
"7.0.8"
],
"dominant symbolic modes": [
"7.0.8",
"7.0.9"
],
"dominant visual logic": [
"7.1.0"
],
"domination": [
"7.0.9"
],
"dramatic events": [
"7.2.3",
"7.2.3"
],
"drawn to pay": [
"7.1.18"
],
"drive insurance companies": [
"7.0.3"
],
"driven": [
"7.0.5"
],
"duncombe": [
"7.2.1"
],
"dutch art": [
"7.1.0"
],
"dutch art establishment": [
"7.1.0"
],
"dutch context": [
"7.1.0"
],
"dutch daily de": [
"7.1.0"
],
"dutch pension fund": [
"7.0.4",
"7.0.4"
],
"dutch pensioneers accused": [
"7.0.4",
"7.0.4"
],
"dutch video": [
"7.1.5"
],
"dutch video art": [
"7.1.5",
"7.1.5"
],
"dutch video installations": [
"7.1.5"
],
"dystopian hearth pulsating": [
"7.1.4"
],
"eastern european art": [
"7.1.20",
"7.1.20"
],
"economic": [
"7.0.3"
],
"economic stimulant": [
"7.0.3"
],
"economic success": [
"7.0.3"
],
"economy": [
"7.0.3",
"7.0.10"
],
"economy and society": [
"7.0.10"
],
"economy including": [
"7.0.10"
],
"el segundo": [
"7.0.7"
],
"electronica perfectly illustrate": [
"7.1.2"
],
"elisa rose frankfurt": [
"7.1.22"
],
"emperor": [
"7.1.7"
],
"emperor new clothes": [
"7.1.7"
],
"empire": [
"7.0.1",
"7.0.7",
"7.0.8",
"7.0.9"
],
"empire grows": [
"7.0.7"
],
"empire military": [
"7.0.9"
],
"end": [
"7.1.23"
],
"engaged art": [
"7.2.3"
],
"engaging": [
"7.0.3",
"7.2.2"
],
"entitled positions": [
"7.1.0"
],
"entrenched financial positions": [
"7.0.8",
"7.0.9"
],
"epoch of ended": [
"7.1.6"
],
"eric": [
"7.0.9"
],
"eric kluitenberg": [
"7.0.9"
],
"eric kluitenberg wrote": [
"7.0.9",
"7.0.9"
],
"essentially": [
"7.1.17",
"7.1.19"
],
"essentially media": [
"7.1.19"
],
"established independent": [
"7.1.16"
],
"european art": [
"7.1.20"
],
"european housing bubble": [
"7.0.4"
],
"evaluate": [
"7.2.2"
],
"event": [
"7.0.10"
],
"events": [
"7.2.3"
],
"exactly carlos": [
"7.1.23"
],
"exactly.": [
"7.1.16"
],
"excessive": [
"7.0.5",
"7.1.17"
],
"exclusively western concept": [
"7.1.20"
],
"excuse": [
"7.1.10",
"7.1.14"
],
"excuse for making": [
"7.1.10",
"7.1.14",
"7.1.20"
],
"exhibition dealing solely": [
"7.1.10",
"7.1.14",
"7.1.20"
],
"exhibitions": [
"7.1.20"
],
"exhorbitant in expenditure": [
"7.0.5"
],
"existing": [
"7.0.0"
],
"existing contemporary art": [
"7.1.8",
"7.1.8"
],
"existing states": [
"7.0.0"
],
"expenditures": [
"7.0.3"
],
"experience": [
"7.1.18",
"7.1.21"
],
"experience cave paintings": [
"7.1.21"
],
"explicit": [
"7.1.15"
],
"explicit social": [
"7.1.15"
],
"explicit social change": [
"7.1.15",
"7.1.15"
],
"exposed": [
"7.1.1"
],
"exposure": [
"7.1.1"
],
"exposure and transparency": [
"7.1.1"
],
"expression": [
"7.1.12"
],
"expressly political art": [
"7.1.18",
"7.1.18"
],
"extreme paranoia": [
"7.1.17"
],
"extremely powerful gesture": [
"7.1.9"
],
"extremely predatory world": [
"7.1.17"
],
"fact": [
"7.1.11"
],
"famous media art": [
"7.1.2"
],
"fascinating questions arise": [
"7.0.0"
],
"fast broadband connectivity": [
"7.0.10"
],
"fearless": [
"7.0.7"
],
"feels consciously": [
"7.1.18"
],
"feels consciously drawn": [
"7.1.18",
"7.1.18"
],
"felipe": [
"7.0.6",
"7.0.7"
],
"felipe el": [
"7.0.7"
],
"felipe el cuarto": [
"7.0.7"
],
"felipe el segundo": [
"7.0.6",
"7.0.7",
"7.0.7"
],
"felipe profound": [
"7.0.6",
"7.0.7"
],
"felipe profound insecurity": [
"7.0.6",
"7.0.7"
],
"felix stalder teaches": [
"7.1.8",
"7.1.9"
],
"feminist/post colonial practices": [
"7.1.9"
],
"festivals": [
"7.1.22"
],
"field": [
"7.1.10",
"7.1.14",
"7.1.23"
],
"fighters that rotate": [
"7.0.5"
],
"finally": [
"7.0.9"
],
"finally answering madeleine": [
"7.0.9"
],
"financial domination": [
"7.0.9"
],
"find": [
"7.1.21"
],
"find a completely": [
"7.0.0"
],
"fine": [
"7.1.2",
"7.1.7",
"7.1.8",
"7.1.9",
"7.1.10",
"7.1.14",
"7.1.20",
"7.1.21"
],
"fine art courses": [
"7.1.2"
],
"fine art system": [
"7.1.8",
"7.1.9"
],
"fine art world": [
"7.1.10",
"7.1.10",
"7.1.14",
"7.1.14",
"7.1.20",
"7.1.20",
"7.1.21",
"7.1.21",
"7.2.0",
"7.2.0"
],
"fine arts": [
"7.1.2",
"7.1.7",
"7.1.21",
"7.1.21",
"7.2.0"
],
"fine arts field": [
"7.1.21"
],
"finished reading istvan": [
"7.1.18"
],
"fit": [
"7.1.17"
],
"flick": [
"7.2.2",
"7.2.3"
],
"flick website": [
"7.2.2"
],
"florian": [
"7.1.7",
"7.1.9"
],
"florian cramer": [
"7.1.22"
],
"florian cramer wrote": [
"7.1.22",
"7.1.22"
],
"fly": [
"7.1.22"
],
"focus discussion afterwards": [
"7.2.3"
],
"followers": [
"7.1.6"
],
"following mission statement": [
"7.1.5"
],
"following seven questions": [
"7.2.0"
],
"force": [
"7.0.2"
],
"force generals seeking": [
"7.0.5"
],
"fordist/cold war era": [
"7.0.9"
],
"form": [
"7.1.6",
"7.1.17"
],
"form serves function": [
"7.2.0"
],
"forms": [
"7.1.6"
],
"forms of profit": [
"7.1.6"
],
"fourth annual summit": [
"7.2.0"
],
"free": [
"7.0.2",
"7.1.4"
],
"free software approach": [
"7.1.4"
],
"free arty market": [
"7.1.3",
"7.1.4"
],
"free software approach": [
"7.1.4"
],
"free software development": [
"7.1.4"
],
"free time": [
"7.1.4"
],
"free trade": [
"7.0.2",
"7.0.2"
],
"free trade guaranteed": [
"7.0.2"
],
"free western": [
"7.1.4"
],
"free western world": [
"7.1.4",
"7.1.4"
],
"fulfill": [
"7.1.19"
],
"full": [
"7.1.15"
],
"full awareness": [
"7.1.15"
],
"fully": [
"7.1.16"
],
"fully unconcerned": [
"7.1.16"
],
"fund": [
"7.0.4"
],
"funding monte video": [
"7.1.5"
],
"funds": [
"7.0.4"
],
"funny": [
"7.1.3"
],
"funny funny project": [
"7.1.3"
],
"gallery monte video": [
"7.1.5"
],
"gaze": [
"7.0.6"
],
"geert": [
"7.1.1",
"7.1.2",
"7.1.3",
"7.2.3"
],
"geert lovink": [
"7.1.1",
"7.1.2",
"7.1.3"
],
"geert lovink wrote": [
"7.1.2",
"7.1.2",
"7.1.3",
"7.1.3"
],
"geert that publicly": [
"7.2.3"
],
"generative approachto development": [
"7.1.4"
],
"generator": [
"7.1.1"
],
"germany": [
"7.1.6"
],
"geuzen": [
"7.1.8"
],
"ghetto": [
"7.1.3"
],
"ghostly sovereign appears": [
"7.0.7"
],
"glad": [
"7.1.13"
],
"global": [
"7.0.4",
"7.1.22"
],
"global security state": [
"7.0.4"
],
"goes beyond": [
"7.1.21"
],
"good": [
"7.0.2",
"7.1.8",
"7.1.10",
"7.1.14",
"7.2.0"
],
"good art": [
"7.0.2"
],
"good or bad": [
"7.1.10",
"7.1.14"
],
"good political": [
"7.2.0"
],
"good political artist": [
"7.2.0"
],
"good political work": [
"7.2.0"
],
"government funding received": [
"7.1.5"
],
"grandly": [
"7.0.7"
],
"grandly dominant": [
"7.0.7"
],
"grandly dominant despot": [
"7.0.6",
"7.0.7"
],
"great": [
"7.1.12",
"7.1.16",
"7.1.17"
],
"great art": [
"7.1.17"
],
"great art fit": [
"7.1.17"
],
"great social": [
"7.1.17"
],
"great social technique": [
"7.1.17"
],
"great work": [
"7.1.15",
"7.1.16",
"7.1.17"
],
"gruesome goya fashion": [
"7.0.4"
],
"guarded wikipedia entry": [
"7.1.19"
],
"guess": [
"7.0.10",
"7.1.12"
],
"hallucination": [
"7.0.7"
],
"hallucinations": [
"7.0.6"
],
"happened": [
"7.0.10"
],
"hard front line": [
"7.1.3"
],
"harder": [
"7.2.2"
],
"hardt": [
"7.0.9"
],
"harmony": [
"7.1.17"
],
"headlines theatre": [
"7.2.2"
],
"hedge": [
"7.0.4"
],
"hedge bank portfolios": [
"7.0.4"
],
"hedge funds": [
"7.0.4"
],
"hegel": [
"7.1.6"
],
"hegel and followers": [
"7.1.6"
],
"hegemonic": [
"7.0.8",
"7.0.9"
],
"hegemonic domination": [
"7.0.9"
],
"hegemony": [
"7.0.9"
],
"heiner": [
"7.1.7"
],
"helps artistic activists": [
"7.2.0"
],
"hey renee": [
"7.1.8"
],
"highly condensed/conjugated": [
"7.1.20"
],
"highly organized sound": [
"7.1.20"
],
"hipster curators posing": [
"7.1.2",
"7.1.7"
],
"hoetzlein": [
"7.1.12"
],
"hoetzlein wrote": [
"7.1.12"
],
"holmes": [
"7.1.19"
],
"huge abstract paintings": [
"7.1.18"
],
"human": [
"7.0.6",
"7.1.4",
"7.1.17"
],
"human creativitymore completely": [
"7.1.4"
],
"human emotion": [
"7.1.4"
],
"human world": [
"7.1.17"
],
"hunt gw bush": [
"7.1.0"
],
"hypercomplex aesthetic techniques": [
"7.1.17"
],
"idea": [
"7.1.13"
],
"identifying creative": [
"7.1.23"
],
"identifying creative impulses": [
"7.1.23",
"7.1.23"
],
"identity": [
"7.1.19"
],
"illusions": [
"7.1.15"
],
"image": [
"7.0.8",
"7.0.9"
],
"imho": [
"7.1.10",
"7.1.15"
],
"imho art": [
"7.1.15"
],
"imho art mustn": [
"7.1.15"
],
"imo": [
"7.1.10",
"7.1.14",
"7.1.20"
],
"imo art": [
"7.1.20",
"7.1.20"
],
"imo defining": [
"7.1.10",
"7.1.14",
"7.1.20"
],
"imo defining art": [
"7.1.10",
"7.1.10",
"7.1.14",
"7.1.14",
"7.1.20",
"7.1.20"
],
"impact of media": [
"7.1.16"
],
"imperial": [
"7.0.5"
],
"imperial presence": [
"7.0.3"
],
"imperialism": [
"7.0.1"
],
"implicit": [
"7.1.15",
"7.1.16"
],
"implicit change": [
"7.1.15",
"7.1.16"
],
"implicit change defines": [
"7.1.16",
"7.1.16"
],
"important": [
"7.2.0",
"7.2.3"
],
"important generator": [
"7.1.1"
],
"inability": [
"7.1.15"
],
"including": [
"7.2.2"
],
"increase the price": [
"7.0.3"
],
"increased user participated": [
"7.1.0"
],
"incredible chance": [
"7.0.0"
],
"independent buisness party": [
"7.1.6"
],
"india": [
"7.0.1"
],
"india and china": [
"7.0.3"
],
"individual": [
"7.1.13",
"7.1.15"
],
"individual communication": [
"7.1.15"
],
"infinite": [
"7.0.8"
],
"influences culture": [
"7.1.11"
],
"informatic art": [
"7.1.12"
],
"informed art critic": [
"7.2.0",
"7.2.0"
],
"inherent": [
"7.0.1"
],
"inherent premises": [
"7.0.1"
],
"insecure": [
"7.0.6"
],
"insecurity": [
"7.0.6",
"7.0.7"
],
"instability in nigeria": [
"7.0.3"
],
"institute": [
"7.1.0",
"7.1.5"
],
"institute continues": [
"7.1.5"
],
"institution contained unique": [
"7.1.5"
],
"institutional setbacks": [
"7.1.0"
],
"institutions": [
"7.1.4",
"7.1.9"
],
"instituut voor mediakunst": [
"7.1.4"
],
"integrating postcolonial considerations": [
"7.1.20"
],
"intends": [
"7.2.2"
],
"intends to change": [
"7.2.2"
],
"interactive forum theatre": [
"7.2.2"
],
"interest": [
"7.0.1"
],
"interesting": [
"7.0.0",
"7.0.2"
],
"interesting contemporary arts": [
"7.1.8",
"7.1.9"
],
"intermediate": [
"7.0.3"
],
"intermediate reasons": [
"7.0.3",
"7.0.3"
],
"internally": [
"7.0.6"
],
"internally differentiated": [
"7.0.6"
],
"internally differentiated system": [
"7.0.5",
"7.0.6",
"7.0.6"
],
"international artists": [
"7.1.5"
],
"international success chiefly": [
"7.1.5"
],
"international video art": [
"7.1.5",
"7.1.5"
],
"internet access": [
"7.0.10"
],
"internet art": [
"7.1.18"
],
"internet connected": [
"7.0.10"
],
"internet economy": [
"7.0.10"
],
"internet economy including": [
"7.0.10"
],
"internet inclusion": [
"7.0.10"
],
"interpretation": [
"7.1.7"
],
"interstellar overdrive cd": [
"7.1.22"
],
"interweaving": [
"7.0.6"
],
"interweaving produces": [
"7.0.6"
],
"intimidating institutional violence": [
"7.1.0"
],
"inundated": [
"7.1.3"
],
"invade iraq": [
"7.0.3"
],
"invading iraq": [
"7.0.3"
],
"investment": [
"7.0.4"
],
"involve extreme disruptions": [
"7.1.17"
],
"iraq": [
"7.0.1",
"7.0.2",
"7.0.3"
],
"iraq war": [
"7.0.2"
],
"iraqi": [
"7.1.0"
],
"issue": [
"7.1.7"
],
"istvan kertesz": [
"7.1.18"
],
"jan van munster": [
"7.1.5"
],
"jaromil": [
"7.1.6"
],
"jaromil shows": [
"7.1.6"
],
"jaschko": [
"7.1.0"
],
"jaschko put": [
"7.1.0"
],
"jean": [
"7.1.11"
],
"jean baudrillard": [
"7.1.11"
],
"jean fisher": [
"7.1.9"
],
"jean fisher critical": [
"7.1.9"
],
"jens hauser": [
"7.1.14"
],
"jerry wasserman": [
"7.2.2"
],
"jet fighters": [
"7.0.5"
],
"job": [
"7.0.5"
],
"john tagg wrote": [
"7.1.9"
],
"joint art program": [
"7.1.5"
],
"judged with respect": [
"7.0.0"
],
"judging political art": [
"7.2.0",
"7.2.0"
],
"june paik": [
"7.1.2"
],
"justifies life": [
"7.0.1"
],
"katastrofsky": [
"7.1.23"
],
"katastrofsky wrote": [
"7.1.17",
"7.1.20",
"7.1.23"
],
"keeping in mind": [
"7.1.16"
],
"keith": [
"7.0.6"
],
"killing": [
"7.1.1"
],
"killing activism": [
"7.1.1"
],
"kind": [
"7.0.0",
"7.0.3",
"7.0.4",
"7.0.7",
"7.1.17",
"7.1.19",
"7.2.2"
],
"kind of dandyish": [
"7.0.7"
],
"kind of leading": [
"7.0.7"
],
"kind of shorthand": [
"7.0.3"
],
"kind of slip": [
"7.0.7"
],
"kluitenberg": [
"7.0.9"
],
"kluitenberg wrote": [
"7.0.9"
],
"korea": [
"7.0.1",
"7.0.2",
"7.0.10"
],
"korea or china": [
"7.0.1"
],
"korean": [
"7.0.0"
],
"korean city": [
"7.0.0"
],
"korean peninsula": [
"7.0.0",
"7.0.0"
],
"künstlerhaus bethanien": [
"7.1.8"
],
"l'art": [
"7.1.21"
],
"lab art": [
"7.1.2"
],
"labyrinth": [
"7.0.7"
],
"lack": [
"7.1.19"
],
"lacks monetary value": [
"7.1.19"
],
"lambert": [
"7.2.1"
],
"large": [
"7.1.0",
"7.1.3"
],
"large is inundated": [
"7.1.2",
"7.1.3"
],
"leaders": [
"7.0.7"
],
"leading public institutions": [
"7.1.4"
],
"leading edge": [
"7.0.0"
],
"leave": [
"7.0.0"
],
"leave your lover": [
"7.0.0"
],
"leaving": [
"7.0.3"
],
"leaving out intermediate": [
"7.0.3"
],
"legitimate": [
"7.1.8"
],
"leo": [
"7.1.11"
],
"lesbian art": [
"7.1.9"
],
"letter": [
"7.2.1"
],
"letter to critics": [
"7.2.1"
],
"lies": [
"7.1.21"
],
"life": [
"7.0.1",
"7.0.2",
"7.0.8",
"7.2.3"
],
"life course": [
"7.2.3"
],
"life story unfolding": [
"7.2.2",
"7.2.2"
],
"line": [
"7.1.3"
],
"listener must pay": [
"7.1.18"
],
"little critical attention": [
"7.2.3"
],
"lively scene developing": [
"7.1.10"
],
"living": [
"7.1.14"
],
"living tissue": [
"7.1.14"
],
"lockheed martin": [
"7.0.5"
],
"long": [
"7.1.17",
"7.1.18"
],
"look somewhat naively": [
"7.0.8"
],
"looking exhibition objects": [
"7.1.2",
"7.1.7"
],
"lover": [
"7.0.0"
],
"lovink": [
"7.1.1",
"7.1.2",
"7.1.3"
],
"lovink wrote": [
"7.1.2",
"7.1.3"
],
"low american profile": [
"7.0.2"
],
"low hanging fruit": [
"7.2.0"
],
"lucy lippard": [
"7.1.9"
],
"luther blissett project": [
"7.1.8",
"7.1.9"
],
"made": [
"7.1.18",
"7.1.21"
],
"mail art network": [
"7.1.8",
"7.1.8",
"7.1.9",
"7.1.9"
],
"mainstream art world": [
"7.1.9"
],
"mak vienna": [
"7.1.22"
],
"make": [
"7.2.2"
],
"make art": [
"7.2.2"
],
"make money": [
"7.1.0"
],
"make sense": [
"7.2.2"
],
"making": [
"7.1.10",
"7.1.14"
],
"making good": [
"7.1.10",
"7.1.14",
"7.1.20"
],
"manufacturing exports declined": [
"7.0.2"
],
"map themselves": [
"7.0.4"
],
"material": [
"7.1.23"
],
"material categorization": [
"7.1.23"
],
"material obsession": [
"7.1.23"
],
"materialized remains": [
"7.1.23"
],
"matze schmidt": [
"7.1.4"
],
"matze schmidt wrote": [
"7.1.4",
"7.1.4"
],
"maybe dubious ones": [
"7.0.0"
],
"mcluhan": [
"7.1.19"
],
"mean free access": [
"7.1.4"
],
"meaning": [
"7.1.11",
"7.1.12"
],
"meaning changes culture": [
"7.1.11"
],
"meaning-relation": [
"7.1.16"
],
"meant sector reproduced": [
"7.1.6"
],
"media": [
"7.1.0",
"7.1.1",
"7.1.2",
"7.1.3",
"7.1.5",
"7.1.6",
"7.1.7",
"7.1.8",
"7.1.9",
"7.1.10",
"7.1.11",
"7.1.12",
"7.1.13",
"7.1.14",
"7.1.17",
"7.1.18",
"7.1.19",
"7.1.20",
"7.1.21",
"7.1.22",
"7.1.23"
],
"media arrives": [
"7.1.19"
],
"media art discourse": [
"7.1.0"
],
"media art etc": [
"7.1.9"
],
"media art institute": [
"7.1.0",
"7.1.5"
],
"media art schools": [
"7.1.2"
],
"media art system": [
"7.1.8",
"7.1.8"
],
"media art works": [
"7.1.0"
],
"media art “doesn": [
"7.1.0"
],
"media artist": [
"7.1.7"
],
"media artists": [
"7.1.10"
],
"media arts circles": [
"7.1.17",
"7.1.17"
],
"media arts crisis": [
"7.1.6",
"7.1.6"
],
"media arts field": [
"7.1.10",
"7.1.10",
"7.1.14",
"7.1.14",
"7.1.20",
"7.1.20",
"7.1.23",
"7.1.23"
],
"media arts lacks": [
"7.1.0",
"7.1.0"
],
"media by activists": [
"7.1.1"
],
"media influences": [
"7.1.11"
],
"media influences culture": [
"7.1.11",
"7.1.11"
],
"media nor politics": [
"7.1.10"
],
"media on society": [
"7.1.16"
],
"media studies": [
"7.1.19"
],
"media theorist perspective": [
"7.1.13",
"7.1.13"
],
"media theorists": [
"7.1.11",
"7.1.13"
],
"media theory": [
"7.1.11",
"7.1.12",
"7.1.13"
],
"media world": [
"7.1.7",
"7.1.8"
],
"media.": [
"7.1.10",
"7.1.14",
"7.1.23"
],
"media. is dealing": [
"7.1.10",
"7.1.14",
"7.1.23"
],
"mediated": [
"7.1.19"
],
"mediated forms": [
"7.1.23"
],
"medium": [
"7.1.14",
"7.2.0"
],
"melman": [
"7.0.3"
],
"mere subject matter": [
"7.2.0"
],
"message": [
"7.1.4"
],
"michael": [
"7.0.2"
],
"military": [
"7.0.1",
"7.0.2",
"7.0.3",
"7.0.8",
"7.0.9"
],
"military / industrial": [
"7.0.8",
"7.0.9"
],
"military bases": [
"7.0.0"
],
"military costs incurred": [
"7.0.3"
],
"military expenditures": [
"7.0.3",
"7.0.3"
],
"military expenditures drag": [
"7.0.3",
"7.0.3"
],
"military keynesianism": [
"7.0.3",
"7.0.3"
],
"military presence": [
"7.0.3"
],
"military tends": [
"7.0.3"
],
"million": [
"7.0.5"
],
"mind": [
"7.1.21"
],
"mind of jet": [
"7.0.5"
],
"ministerial": [
"7.0.10"
],
"ministerial meeting": [
"7.0.10"
],
"mirrors": [
"7.1.1"
],
"mirrors of narcism": [
"7.1.1"
],
"mit media": [
"7.0.8"
],
"mode": [
"7.0.8"
],
"modes": [
"7.0.8"
],
"moment": [
"7.1.18"
],
"monday": [
"7.1.2",
"7.1.3"
],
"monetary": [
"7.1.19"
],
"money": [
"7.1.6"
],
"monte": [
"7.1.5"
],
"monte video began": [
"7.1.5"
],
"monte video focused": [
"7.1.5"
],
"monte video moves": [
"7.1.5",
"7.1.5"
],
"montevideo": [
"7.1.0",
"7.1.3",
"7.1.4"
],
"montevideo people": [
"7.1.4"
],
"montevideo/time based arts": [
"7.1.5"
],
"moral outcry": [
"7.1.1"
],
"moved": [
"7.1.3",
"7.1.11"
],
"moving forward towards": [
"7.2.0"
],
"mtv": [
"7.1.6"
],
"mtv at home": [
"7.1.6"
],
"multifaceted art world": [
"7.1.9"
],
"music coming": [
"7.1.8"
],
"music industry": [
"7.1.8"
],
"naive": [
"7.0.3"
],
"nam june": [
"7.1.2"
],
"narcism": [
"7.1.1"
],
"narrow technological focus": [
"7.1.2"
],
"nation": [
"7.0.4"
],
"nation states": [
"7.0.4"
],
"nation states act": [
"7.0.4"
],
"national funding": [
"7.1.5"
],
"natural bodily processes": [
"7.1.14"
],
"necessarily political art": [
"7.2.0",
"7.2.0"
],
"negation": [
"7.0.8",
"7.0.9"
],
"negation of dominant": [
"7.0.8"
],
"negative": [
"7.0.8"
],
"negative dialectics": [
"7.0.8",
"7.0.9"
],
"negri": [
"7.0.9"
],
"netherlands": [
"7.1.0",
"7.1.5"
],
"netherlands media": [
"7.1.0",
"7.1.5"
],
"netherlands media art": [
"7.1.0",
"7.1.5"
],
"nettime": [
"7.1.11"
],
"neue bürgerlichkeit": [
"7.1.8"
],
"newness": [
"7.1.14"
],
"nice comfortable home": [
"7.0.4"
],
"nimk": [
"7.1.4"
],
"nonetheless real emergence": [
"7.0.0"
],
"north": [
"7.1.22"
],
"nyc": [
"7.2.0"
],
"nt": [
"7.1.0",
"7.1.18"
],
"object": [
"7.1.21"
],
"obsession": [
"7.1.1"
],
"obsession with media": [
"7.1.1"
],
"oecd": [
"7.0.10"
],
"oecd ministerial": [
"7.0.10"
],
"offer regular presentations": [
"7.1.5"
],
"offers extensive services": [
"7.1.5"
],
"oil": [
"7.0.3"
],
"oil companies": [
"7.0.3"
],
"older media": [
"7.1.6"
],
"olympics": [
"7.1.19"
],
"online politics sex": [
"7.1.3"
],
"open": [
"7.1.4",
"7.2.1"
],
"open letter": [
"7.2.1"
],
"open source philosophy": [
"7.1.4"
],
"open source software": [
"7.1.4"
],
"operates outside “perception": [
"7.1.0"
],
"org/wiki/neue_bürgerlichkeit>": [
"7.1.8"
],
"organizational devices": [
"7.0.0"
],
"ottawa event": [
"7.0.10"
],
"outcry": [
"7.1.1"
],
"outlooks": [
"7.0.6"
],
"outlooks as part": [
"7.0.6"
],
"outside capital looking": [
"7.0.5"
],
"own debt": [
"7.0.4"
],
"own overflowing symbolic": [
"7.1.17"
],
"own trading arms": [
"7.0.4"
],
"pack with alternative": [
"7.1.3"
],
"paik": [
"7.1.3"
],
"paiks": [
"7.1.3"
],
"painting": [
"7.1.10"
],
"parallel thoughts": [
"7.0.10"
],
"parameter": [
"7.1.15"
],
"part": [
"7.0.6"
],
"particular aesthetic tradition": [
"7.0.0"
],
"particular art world": [
"7.1.8",
"7.1.9"
],
"particular material result": [
"7.1.23"
],
"particular people acting": [
"7.0.6"
],
"passion": [
"7.1.1"
],
"patronising art production": [
"7.1.4"
],
"pay": [
"7.1.18"
],
"payer health care": [
"7.0.3"
],
"peer reviewed free": [
"7.1.4"
],
"pension fund": [
"7.0.4"
],
"pentagon capitalism": [
"7.0.3"
],
"people": [
"7.0.2",
"7.1.4",
"7.1.17",
"7.2.0"
],
"people disagree": [
"7.0.2"
],
"perceived artistic quality": [
"7.1.2"
],
"performance": [
"7.2.3"
],
"performance practices": [
"7.2.3",
"7.2.3"
],
"performance practices aim": [
"7.2.3"
],
"performed via media": [
"7.1.19"
],
"perpetuate": [
"7.0.4"
],
"person seated view": [
"7.0.6"
],
"personal mtv": [
"7.1.6"
],
"personal political economy": [
"7.0.4"
],
"perspective": [
"7.1.11",
"7.1.12",
"7.1.13"
],
"pet shop": [
"7.1.3"
],
"pet shop boys": [
"7.1.3",
"7.1.3"
],
"pgp": [
"7.1.4"
],
"pgp signed": [
"7.1.4"
],
"pgp signed message": [
"7.1.4"
],
"phillips": [
"7.0.5"
],
"phillips asked": [
"7.0.5"
],
"philosophy": [
"7.1.15"
],
"philosophy of art": [
"7.1.16"
],
"photographie": [
"7.1.23"
],
"photographie in arles": [
"7.1.23"
],
"piece": [
"7.0.1",
"7.1.19"
],
"piece of code": [
"7.1.19"
],
"piece of information": [
"7.1.19"
],
"piece of media": [
"7.1.19"
],
"piece with interest": [
"7.0.1"
],
"play": [
"7.1.22"
],
"play global": [
"7.1.22"
],
"plays": [
"7.0.8"
],
"point": [
"7.0.8",
"7.0.9",
"7.1.7"
],
"point art": [
"7.0.9"
],
"point art serves": [
"7.0.9"
],
"policy": [
"7.0.10"
],
"policy approach": [
"7.0.10"
],
"political": [
"7.0.6",
"7.1.0",
"7.1.10",
"7.1.16",
"7.1.17",
"7.1.18",
"7.1.20",
"7.1.21",
"7.2.0",
"7.2.1",
"7.2.2"
],
"political and cultural": [
"7.0.6"
],
"political artist": [
"7.2.0"
],
"political artist practice": [
"7.2.0"
],
"political consideration": [
"7.2.2"
],
"political elites": [
"7.0.2"
],
"political nor ideological": [
"7.1.0"
],
"political process contained": [
"7.2.2"
],
"political status didn": [
"7.1.0"
],
"political work": [
"7.2.0"
],
"politically correct self": [
"7.1.0"
],
"politically incorrect exploiters": [
"7.0.4"
],
"politicized art brings": [
"7.2.2"
],
"politics": [
"7.1.6",
"7.1.10",
"7.1.16",
"7.2.2"
],
"politics simultaneously": [
"7.2.2"
],
"pollute fine art": [
"7.1.8",
"7.1.8"
],
"popular art mags": [
"7.1.9"
],
"popular culture etc.": [
"7.1.7"
],
"porn identity": [
"7.1.20"
],
"porta pack": [
"7.1.3"
],
"portfolio": [
"7.0.4"
],
"positive political": [
"7.2.2"
],
"pour": [
"7.1.21"
],
"power": [
"7.0.4",
"7.0.5",
"7.0.6",
"7.1.12"
],
"powerless to transform": [
"7.1.13"
],
"practical political art": [
"7.2.2",
"7.2.2"
],
"practice": [
"7.2.3"
],
"practices": [
"7.1.8",
"7.1.9",
"7.1.14",
"7.2.3"
],
"precise theoretical level": [
"7.0.9"
],
"precisely identical histories": [
"7.1.23",
"7.1.23"
],
"premises": [
"7.0.1"
],
"previous examples listed": [
"7.1.9"
],
"previous mentioned philosophy": [
"7.1.21"
],
"previously existing": [
"7.0.0"
],
"previously existing state": [
"7.0.0"
],
"price": [
"7.0.3"
],
"problem": [
"7.0.9",
"7.1.10",
"7.1.15",
"7.1.18",
"7.1.20"
],
"problem of identifying": [
"7.1.23"
],
"problematic attempt": [
"7.1.19"
],
"problems": [
"7.1.15",
"7.1.17"
],
"problems of society": [
"7.1.15"
],
"process": [
"7.0.8",
"7.1.19"
],
"process of negation": [
"7.0.8"
],
"processes mcluhan describes": [
"7.1.19"
],
"produce": [
"7.1.6"
],
"produces": [
"7.0.6"
],
"producing": [
"7.1.1"
],
"producing mirrors": [
"7.1.1"
],
"production of truth": [
"7.0.4"
],
"production quality": [
"7.1.4"
],
"productive": [
"7.0.8"
],
"products produce": [
"7.1.6"
],
"products produce consumption": [
"7.1.6"
],
"profit": [
"7.1.6"
],
"profound": [
"7.0.6",
"7.0.7"
],
"profound insecurity": [
"7.0.6",
"7.0.7"
],
"profound weakness": [
"7.0.7"
],
"progressive international": [
"7.1.5"
],
"prolonging cold war": [
"7.0.2",
"7.0.2"
],
"proper theatre": [
"7.2.2"
],
"protection despite themselves": [
"7.0.1"
],
"provide significant support": [
"7.0.10"
],
"providing actionable ideas": [
"7.2.3"
],
"public": [
"7.0.10",
"7.1.22"
],
"public agenda": [
"7.0.10"
],
"public involvement": [
"7.0.10"
],
"public policy approach": [
"7.0.10"
],
"public web pages": [
"7.0.8",
"7.0.9"
],
"publicly engaged": [
"7.2.3"
],
"publicly engaged art": [
"7.2.3",
"7.2.3"
],
"purely abstract universe": [
"7.1.17"
],
"pygmy": [
"7.0.7"
],
"pygmy leaders": [
"7.0.7"
],
"quality": [
"7.1.21"
],
"quality final product": [
"7.2.2"
],
"quaro homines": [
"7.0.4"
],
"question": [
"7.0.8",
"7.0.9"
],
"questionable contemporary art": [
"7.1.8",
"7.1.9"
],
"questioned": [
"7.1.1"
],
"questions": [
"7.2.0"
],
"radical": [
"7.1.3"
],
"radical creative experimentation": [
"7.1.23",
"7.1.23"
],
"radical negation ought": [
"7.0.9"
],
"radical video art": [
"7.1.2",
"7.1.3",
"7.1.3"
],
"rama": [
"7.1.12",
"7.1.16"
],
"rama hoetzlein": [
"7.1.12"
],
"rama hoetzlein wrote": [
"7.1.12",
"7.1.12"
],
"re talking": [
"7.1.17"
],
"re talking china": [
"7.1.17"
],
"reach everyday people": [
"7.2.0"
],
"read": [
"7.0.1",
"7.0.5",
"7.1.21",
"7.2.2"
],
"read a sentence": [
"7.2.2"
],
"read lev manovich": [
"7.1.17"
],
"reader or listener": [
"7.1.18"
],
"reading contemporary": [
"7.1.7"
],
"reading contemporary art": [
"7.1.2"
],
"reading istvan kertesz": [
"7.1.18"
],
"real": [
"7.1.13"
],
"real inspiration": [
"7.1.13"
],
"real medium": [
"7.1.18"
],
"real research": [
"7.1.13"
],
"real social": [
"7.1.13"
],
"real social change": [
"7.1.13",
"7.1.13"
],
"realism": [
"7.0.7"
],
"reality": [
"7.1.22"
],
"reality addicts": [
"7.1.22"
],
"reason": [
"7.0.1"
],
"reasons": [
"7.0.3"
],
"reasons entirely unconnected": [
"7.0.3"
],
"recent artistic practices": [
"7.1.20"
],
"recent educational department": [
"7.1.9"
],
"refers": [
"7.1.20"
],
"register influences interpretation": [
"7.1.7"
],
"reinvent": [
"7.1.3"
],
"reinvent yourself-discourse": [
"7.1.3"
],
"reinvestment": [
"7.0.6"
],
"relation": [
"7.1.12"
],
"relationship is established": [
"7.1.16"
],
"relatively hollow call": [
"7.1.4"
],
"relevance": [
"7.1.7"
],
"relevance of context": [
"7.1.7"
],
"remarkable performance": [
"7.2.3"
],
"renaissance art": [
"7.1.18"
],
"rencontres internationale": [
"7.1.23"
],
"renee": [
"7.1.8"
],
"renown contemporary arts": [
"7.1.8"
],
"rené coelho": [
"7.1.5"
],
"rené coelho continues": [
"7.1.5"
],
"replay your avi": [
"7.1.19"
],
"reply": [
"7.1.13"
],
"representation": [
"7.0.7",
"7.1.19"
],
"represents visual art": [
"7.1.2"
],
"required curatorial buzz": [
"7.1.2",
"7.1.7"
],
"research centers": [
"7.1.23"
],
"research lab art": [
"7.1.2",
"7.1.2"
],
"resistant political action": [
"7.1.12"
],
"respect": [
"7.0.0"
],
"respecting contemporary artist": [
"7.1.7"
],
"review from vancouver": [
"7.2.3"
],
"reviewed free software": [
"7.1.4"
],
"rose": [
"7.1.22"
],
"rose media art": [
"7.1.22"
],
"roughly": [
"7.0.10"
],
"régine debatty": [
"7.1.0"
],
"sales": [
"7.0.5"
],
"sales job": [
"7.0.5"
],
"secretly subcribed": [
"7.1.6"
],
"sector openly admitted": [
"7.1.0"
],
"security": [
"7.0.4"
],
"security state": [
"7.0.4"
],
"security state capital": [
"7.0.4"
],
"security state discovers": [
"7.0.4"
],
"segundo": [
"7.0.7"
],
"self-reference": [
"7.1.21"
],
"sensate and imaginary": [
"7.1.19"
],
"sense": [
"7.0.6",
"7.1.21",
"7.2.2"
],
"sentence": [
"7.2.2"
],
"seoul event": [
"7.0.10"
],
"separate entire societies": [
"7.0.0",
"7.0.8"
],
"seymour melman": [
"7.0.3"
],
"shop boys": [
"7.1.3"
],
"short": [
"7.1.6"
],
"shorthand": [
"7.0.3"
],
"show": [
"7.0.8"
],
"showing": [
"7.1.19"
],
"signed": [
"7.1.4"
],
"signed message": [
"7.1.4"
],
"similar economic job": [
"7.0.3"
],
"similar organisational logic": [
"7.0.8",
"7.0.9"
],
"simple economic justification": [
"7.0.1"
],
"simple formula": [
"7.1.6"
],
"simply": [
"7.1.23"
],
"simply art": [
"7.0.1",
"7.0.2"
],
"simply art justifies": [
"7.0.1",
"7.0.2"
],
"simply doesn": [
"7.1.0"
],
"slightly delayed": [
"7.1.9"
],
"slightly delayed response": [
"7.1.9",
"7.1.9"
],
"slogan factually reverses": [
"7.1.4"
],
"so-called fine": [
"7.1.7"
],
"so-called fine arts": [
"7.1.2",
"7.1.7"
],
"social": [
"7.0.8",
"7.0.9",
"7.1.12",
"7.1.13",
"7.1.15",
"7.1.17"
],
"social change": [
"7.1.13",
"7.1.13",
"7.1.15",
"7.2.3"
],
"social circuit": [
"7.1.12"
],
"social determinism": [
"7.1.13"
],
"socially relevant contexts": [
"7.1.4"
],
"societies": [
"7.0.0"
],
"society": [
"7.0.0",
"7.0.10",
"7.1.3",
"7.1.15",
"7.1.16"
],
"society at large": [
"7.1.2",
"7.1.3"
],
"society representative": [
"7.0.10"
],
"software": [
"7.1.4"
],
"solely": [
"7.1.21"
],
"somewhat restricted": [
"7.1.14"
],
"somewhat simplistic comparison": [
"7.1.14"
],
"somewhat teleological sense": [
"7.1.14"
],
"songs of ebay": [
"7.1.3"
],
"sophisticated weapons imaginable": [
"7.0.5"
],
"source": [
"7.1.4"
],
"source software": [
"7.1.4"
],
"south": [
"7.0.0",
"7.0.1",
"7.0.2"
],
"south korea": [
"7.0.1",
"7.0.2",
"7.0.5"
],
"south korean": [
"7.0.0"
],
"south korean city": [
"7.0.0",
"7.0.0"
],
"spaces": [
"7.1.1"
],
"specialized festivals": [
"7.1.23"
],
"specific": [
"7.1.10"
],
"specific curatorial approaches": [
"7.1.9"
],
"spectacular": [
"7.0.5"
],
"spek": [
"7.1.1"
],
"stable investment": [
"7.0.4"
],
"state": [
"7.0.0",
"7.0.4"
],
"state as empire": [
"7.0.7"
],
"state capital": [
"7.0.4"
],
"state department": [
"7.0.2"
],
"stated": [
"7.0.1"
],
"stated or inherent": [
"7.0.1"
],
"statements": [
"7.1.18"
],
"states": [
"7.0.4"
],
"station rose": [
"7.1.22"
],
"station rose digital_audio": [
"7.1.22"
],
"station rose digital": [
"7.1.22"
],
"station rose media": [
"7.1.22"
],
"stealth boat project": [
"7.1.0"
],
"stephen": [
"7.2.1"
],
"stephen duncombe": [
"7.2.1"
],
"steve": [
"7.2.1"
],
"steve lambert": [
"7.2.1"
],
"stichting pensioenfonds abp": [
"7.0.4",
"7.0.4"
],
"stimulating set": [
"7.0.8"
],
"structured investment vehicles": [
"7.0.4"
],
"studied political science": [
"7.1.0"
],
"studies": [
"7.1.19"
],
"study": [
"7.1.11"
],
"stutter": [
"7.1.20"
],
"subject": [
"7.1.14"
],
"subjects": [
"7.1.21"
],
"successful": [
"7.0.4",
"7.0.5"
],
"sunday": [
"7.1.20",
"7.1.22"
],
"surely": [
"7.1.21"
],
"susanne": [
"7.1.0"
],
"susanne jaschko": [
"7.1.0"
],
"susanne jaschko put": [
"7.1.0"
],
"sustain foreign involvements": [
"7.0.1",
"7.0.2"
],
"swiss finance capital": [
"7.1.0"
],
"swiss people": [
"7.1.0"
],
"symbolic structures": [
"7.0.8"
],
"symposium entitled positions": [
"7.1.0",
"7.1.0"
],
"system": [
"7.0.6",
"7.1.7",
"7.1.8",
"7.1.9",
"7.1.13",
"7.1.18",
"7.1.20",
"7.1.21"
],
"systematised production occupies": [
"7.1.4"
],
"tactics": [
"7.1.1"
],
"tate modern site": [
"7.1.20"
],
"technological": [
"7.0.8"
],
"technological domain": [
"7.0.8"
],
"technological power holds": [
"7.1.12"
],
"technology": [
"7.1.14"
],
"technoscientific": [
"7.1.13"
],
"technoscientific system": [
"7.1.13"
],
"temporary travel office": [
"7.1.7",
"7.1.7"
],
"term": [
"7.1.19"
],
"terminal structural crisis": [
"7.1.8",
"7.1.9"
],
"terms": [
"7.1.11"
],
"test": [
"7.0.5"
],
"thanks matze": [
"7.1.4"
],
"theater": [
"7.2.3"
],
"theater review": [
"7.2.3"
],
"theatre": [
"7.2.2"
],
"theatre critics": [
"7.2.2"
],
"theorists": [
"7.1.13"
],
"theory side": [
"7.1.11"
],
"things": [
"7.1.10",
"7.1.17",
"7.1.21",
"7.1.23"
],
"thought-provoking": [
"7.1.18"
],
"thought-provoking statements": [
"7.1.18"
],
"threat": [
"7.0.3"
],
"thursday": [
"7.1.3"
],
"time": [
"7.0.8",
"7.0.10",
"7.1.5",
"7.1.9",
"7.1.12",
"7.1.13",
"7.1.21"
],
"time production": [
"7.1.4"
],
"time based": [
"7.1.5"
],
"tissue": [
"7.1.14"
],
"today": [
"7.0.3"
],
"tolstoy": [
"7.1.11",
"7.1.12"
],
"tolstoy and baudrillard": [
"7.1.12"
],
"tolstoy new media": [
"7.1.11"
],
"totality": [
"7.0.5",
"7.0.6"
],
"tradition": [
"7.1.17"
],
"traditional art": [
"7.1.2",
"7.1.8"
],
"transform": [
"7.1.13"
],
"translocal distributed temporary": [
"7.1.0"
],
"transmediale": [
"7.1.22"
],
"transparency": [
"7.1.1"
],
"tremendous importance whenever": [
"7.0.0"
],
"trouble": [
"7.1.3"
],
"true": [
"7.1.6",
"7.1.8",
"7.1.11"
],
"tue": [
"7.1.19"
],
"turns": [
"7.1.19"
],
"twentieth century": [
"7.0.0"
],
"ubc": [
"7.2.2"
],
"ubc theatre": [
"7.2.2"
],
"uc santa cruz": [
"7.2.3"
],
"unconcerned": [
"7.1.16"
],
"unconcerned with political": [
"7.1.16"
],
"understand": [
"7.1.15",
"7.2.2"
],
"understood theory lingo": [
"7.1.2"
],
"unfinish": [
"7.1.22"
],
"unfolding dramatic events": [
"7.2.3"
],
"unfortunately decaying rapidly": [
"7.1.4"
],
"united states": [
"7.0.2"
],
"upgrade pakistan": [
"7.0.5"
],
"utopia": [
"7.1.22"
],
"van": [
"7.1.1"
],
"van der spek": [
"7.1.1"
],
"vancouver play": [
"7.2.3"
],
"vancouver play offers": [
"7.2.3",
"7.2.3"
],
"varying degrees": [
"7.1.12"
],
"velasquez": [
"7.0.7"
],
"velasquez portrait": [
"7.0.7"
],
"velazquez": [
"7.0.7"
],
"velazquez plays": [
"7.0.7"
],
"velazquez realism": [
"7.0.7"
],
"veteran art critic": [
"7.2.0"
],
"video": [
"7.1.2",
"7.1.5"
],
"video art heritage": [
"7.1.0"
],
"video art project": [
"7.1.5"
],
"video art roots": [
"7.1.2",
"7.1.3"
],
"video artists": [
"7.1.5"
],
"video gallery monte": [
"7.1.5"
],
"video installations": [
"7.1.2"
],
"video loops shown": [
"7.1.2"
],
"vietnam": [
"7.0.1",
"7.0.2"
],
"view": [
"7.1.11",
"7.1.12",
"7.1.13"
],
"viewer": [
"7.1.16",
"7.1.18"
],
"visiting art biennales": [
"7.1.7"
],
"visual": [
"7.0.8"
],
"visual art http": [
"7.1.22"
],
"visual arts": [
"7.0.8",
"7.0.9",
"7.1.0",
"7.1.5"
],
"wafaa bilal": [
"7.1.0"
],
"walls": [
"7.1.18"
],
"wanadoo.fr": [
"7.1.19"
],
"war": [
"7.0.2",
"7.0.9"
],
"war helps increase": [
"7.0.3"
],
"weakness and insecurity": [
"7.0.7"
],
"wearing curator saying": [
"7.1.2",
"7.1.7"
],
"website": [
"7.2.2"
],
"western": [
"7.1.20"
],
"western cultural import": [
"7.1.20"
],
"western cultures": [
"7.1.20"
],
"whatever tables concerning": [
"7.0.10"
],
"whatsoever contemporary art": [
"7.1.2"
],
"witte": [
"7.1.22"
],
"wondering": [
"7.1.10",
"7.1.14",
"7.1.23"
],
"word": [
"7.1.19"
],
"word mediated": [
"7.1.19"
],
"work": [
"7.1.5",
"7.1.7",
"7.1.11",
"7.1.12",
"7.1.13",
"7.1.15",
"7.1.16",
"7.1.17",
"7.2.0",
"7.2.2"
],
"works": [
"7.1.7",
"7.1.13",
"7.1.15"
],
"workshop venues": [
"7.1.23"
],
"world": [
"7.0.0",
"7.0.1",
"7.0.2",
"7.0.3",
"7.0.4",
"7.0.9",
"7.1.7",
"7.1.9",
"7.1.10",
"7.1.14",
"7.1.17",
"7.1.20",
"7.1.21",
"7.2.0",
"7.2.2"
],
"world military": [
"7.0.3"
],
"world military presence": [
"7.0.3",
"7.0.3"
],
"world society": [
"7.0.0"
],
"worlds": [
"7.1.17"
],
"wow": [
"7.1.15",
"7.1.16",
"7.1.17"
],
"writing": [
"7.2.1"
],
"writing about political": [
"7.2.1"
],
"written": [
"7.2.0"
],
"written in response": [
"7.2.0"
],
"wrlds third largest": [
"7.0.4"
],
"wrote": [
"7.1.3",
"7.1.12",
"7.1.19",
"7.1.23"
],
"years": [
"7.1.4",
"7.1.17"
],
"york": [
"7.1.22"
],
"york city": [
"7.0.0"
],
"york times": [
"7.0.5"
],
"yuppie": [
"7.1.6"
],
"zkm": [
"7.1.6"
],
"zkm in germany": [
"7.1.6"
],
"zurich art": [
"7.1.9"
],
"virtual human shield": [
"7.1.0"
],
"“art meets science”": [
"7.1.0"
]
},
"selected": {
"activism": [
"7.1.1"
],
"amsterdam": [
"7.1.4"
],
"art world": [
"7.1.2",
"7.1.2",
"7.1.7",
"7.1.8",
"7.1.8",
"7.1.9",
"7.1.10",
"7.1.10",
"7.1.14",
"7.1.20",
"7.1.21",
"7.1.21",
"7.2.0",
"7.2.2"
],
"brecht": [
"7.2.3"
],
"cold war": [
"7.0.2",
"7.0.9"
],
"contemporary art": [
"7.1.2",
"7.1.2",
"7.1.7",
"7.1.7",
"7.1.8",
"7.1.8",
"7.1.9",
"7.1.20",
"7.1.20",
"7.1.21",
"7.1.22"
],
"creative commons": [
"7.1.4"
],
"critical art ensemble": [
"7.2.0"
],
"debord": [
"7.1.6"
],
"fine art": [
"7.1.0",
"7.1.2",
"7.1.2",
"7.1.7",
"7.1.7",
"7.1.8",
"7.1.8",
"7.1.9",
"7.1.10",
"7.1.14",
"7.1.20",
"7.1.20",
"7.1.21",
"7.2.0",
"7.2.0"
],
"free software": [
"7.1.4"
],
"internet": [
"7.0.2",
"7.0.10"
],
"leo tolstoy": [
"7.1.11"
],
"lyotard": [
"7.0.8"
],
"mail art": [
"7.1.8",
"7.1.9"
],
"media art": [
"7.1.0",
"7.1.2",
"7.1.5",
"7.1.7",
"7.1.8",
"7.1.8",
"7.1.9",
"7.1.10",
"7.1.11",
"7.1.12",
"7.1.13",
"7.1.14",
"7.1.17",
"7.1.20",
"7.1.21",
"7.1.22"
],
"media arts": [
"7.1.0",
"7.1.0",
"7.1.6",
"7.1.7",
"7.1.7",
"7.1.8",
"7.1.10",
"7.1.11",
"7.1.14",
"7.1.17",
"7.1.20",
"7.1.23"
],
"military-industrial complex": [
"7.0.3",
"7.0.4"
],
"monte video": [
"7.1.5",
"7.1.5"
],
"nam june paik": [
"7.1.2",
"7.1.2",
"7.1.5"
],
"open source": [
"7.1.4"
],
"ottawa": [
"7.0.10"
],
"political art": [
"7.1.10",
"7.1.15",
"7.1.16",
"7.1.17",
"7.1.18",
"7.2.0",
"7.2.1",
"7.2.2"
],
"rotterdam": [
"7.1.22"
],
"seoul": [
"7.0.10"
],
"texte zur kunst": [
"7.1.8",
"7.1.9",
"7.1.20",
"7.1.21"
],
"theory": [
"7.1.7",
"7.1.11",
"7.1.12"
],
"time based arts": [
"7.1.4",
"7.1.5",
"7.1.5"
],
"vancouver": [
"7.2.3"
],
"video art": [
"7.1.2",
"7.1.3",
"7.1.5"
],
"vienna": [
"7.1.22"
]
}
}