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-## Framing the (art historical) debate: (Pre-, Post-) Modern?
+<img src="https://git.le-club-des-sans-sujets.org/gauthiier/Revisiting-Concepts-Notations-Software-Art/media/branch/main/img/autopilot-creativity.png" alt="autopilot creativity" width="350"/>
+
+# Framing the (art historical) debate: (Pre-, Post-) Modern?
 
 > Two basic activities emerge. A person may work "on" the digital or "within" it. In the former, one's attention is directed from the outside in, taking the medium itself as its object, while in the latter one takes the perspective of the medium itself, radiating attention outward to other contexts and environments. To generalize from this, the first position (working "on") is labeled modern or, when applied to art and aesthetics, modernist. And the latter position (working "within") is labeled non-modern, be it premodern, postmodern, or some other alternative (Galloway, 1-2).