From 5a66e2a10d55d9bb2f123559d3e12ea72ca94538 Mon Sep 17 00:00:00 2001
From: gauthiier <d@gauthiier.info>
Date: Fri, 6 Jan 2023 10:07:26 +0100
Subject: [PATCH] 0.1

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 ... - (Pre-, Post-) Modern?.md => 0. (Pre-, Post-) Modern?.md | 4 +++-
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 rename 0. Framing the (art historical) debate - (Pre-, Post-) Modern?.md => 0. (Pre-, Post-) Modern?.md (69%)

diff --git a/0. Framing the (art historical) debate - (Pre-, Post-) Modern?.md b/0. (Pre-, Post-) Modern?.md
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rename from 0. Framing the (art historical) debate - (Pre-, Post-) Modern?.md
rename to 0. (Pre-, Post-) Modern?.md
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--- a/0. Framing the (art historical) debate - (Pre-, Post-) Modern?.md	
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-## Framing the (art historical) debate: (Pre-, Post-) Modern?
+<img src="https://git.le-club-des-sans-sujets.org/gauthiier/Revisiting-Concepts-Notations-Software-Art/media/branch/main/img/autopilot-creativity.png" alt="autopilot creativity" width="350"/>
+
+# Framing the (art historical) debate: (Pre-, Post-) Modern?
 
 > Two basic activities emerge. A person may work "on" the digital or "within" it. In the former, one's attention is directed from the outside in, taking the medium itself as its object, while in the latter one takes the perspective of the medium itself, radiating attention outward to other contexts and environments. To generalize from this, the first position (working "on") is labeled modern or, when applied to art and aesthetics, modernist. And the latter position (working "within") is labeled non-modern, be it premodern, postmodern, or some other alternative (Galloway, 1-2).