diff --git a/0.Framing.md b/0.Framing.md
index acf0643..1fcd129 100644
--- a/0.Framing.md
+++ b/0.Framing.md
@@ -16,7 +16,7 @@ Cramer, Florian. “Concepts, Notations, Software Art.” In *Signwave, Auto-Ill
 
 > If software is generally defined as executable formal instructions, logical scores, then the concept of software is by no means limited to formal instructions for computers. (Cramer 5)
 
-Work 0: [Sol LeWitt's "Plan for a Concept Art Book"] https://www.sollewittprints.org/artwork/lewitt-raisonne-1971-18/ 
+_Work 0: [Sol LeWitt's "Plan for a Concept Art Book"]_ https://www.sollewittprints.org/artwork/lewitt-raisonne-1971-18/ 
 
 Cox, Geoff, Alex McLean, and Adrian Ward. “Coding Praxis: Reconsidering the Aesthetics of Code.” In *Read_me: Software Art & Cultures*, edited by Olga Goriunova and Alexei Shulgin, 161–74. Aarhus: Aarhus University Press, 2004.
 
@@ -28,10 +28,10 @@ Galloway, Alexander R. “Jodi’s Infrastructure.” *E-Flux*, no. 74 (June 201
 
 > Two basic activities emerge. A person may work "on" the digital or "within" it. In the former, one's attention is directed from the outside in, taking the medium itself as its object, while in the latter one takes the perspective of the medium itself, radiating attention outward to other contexts and environments. To generalize from this, the first position (working "on") is labeled modern or, when applied to art and aesthetics, modernist. And the latter position (working "within") is labeled non-modern, be it premodern, postmodern, or some other alternative (Galloway, 1-2).
 
-Work 1: http://㐃.net
-Work 2: [Ed Atkins, Ribbons](https://www.youtube.com/watch?v=3EkqVWXBVOQ)
+_Work 1: http://㐃.net_
+_Work 2: [Ed Atkins, Ribbons]_(https://www.youtube.com/watch?v=3EkqVWXBVOQ)
 
-Other works: https://constantdullaart.com/, https://arambartholl.com, 
+_Other works: https://constantdullaart.com/, https://arambartholl.com_
 
 > Where does the work reside? (Galloway, 5)