2056 lines
78 KiB
Plaintext
2056 lines
78 KiB
Plaintext
OBJECTS.
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A CARAFE, THAT IS A BLIND GLASS.
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A kind in glass and a cousin, a spectacle and nothing strange a single
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hurt color and an arrangement in a system to pointing. All this and not
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ordinary, not unordered in not resembling. The difference is spreading.
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GLAZED GLITTER.
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Nickel, what is nickel, it is originally rid of a cover.
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The change in that is that red weakens an hour. The change has come.
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There is no search. But there is, there is that hope and that
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interpretation and sometime, surely any is unwelcome, sometime there is
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breath and there will be a sinecure and charming very charming is that
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clean and cleansing. Certainly glittering is handsome and convincing.
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There is no gratitude in mercy and in medicine. There can be breakages
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in Japanese. That is no programme. That is no color chosen. It was
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chosen yesterday, that showed spitting and perhaps washing and
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polishing. It certainly showed no obligation and perhaps if borrowing is
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not natural there is some use in giving.
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A SUBSTANCE IN A CUSHION.
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The change of color is likely and a difference a very little difference
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is prepared. Sugar is not a vegetable.
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Callous is something that hardening leaves behind what will be soft if
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there is a genuine interest in there being present as many girls as men.
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Does this change. It shows that dirt is clean when there is a volume.
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A cushion has that cover. Supposing you do not like to change, supposing
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it is very clean that there is no change in appearance, supposing that
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there is regularity and a costume is that any the worse than an oyster
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and an exchange. Come to season that is there any extreme use in feather
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and cotton. Is there not much more joy in a table and more chairs and
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very likely roundness and a place to put them.
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A circle of fine card board and a chance to see a tassel.
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What is the use of a violent kind of delightfulness if there is no
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pleasure in not getting tired of it. The question does not come before
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there is a quotation. In any kind of place there is a top to covering
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and it is a pleasure at any rate there is some venturing in refusing to
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believe nonsense. It shows what use there is in a whole piece if one
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uses it and it is extreme and very likely the little things could be
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dearer but in any case there is a bargain and if there is the best thing
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to do is to take it away and wear it and then be reckless be reckless
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and resolved on returning gratitude.
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Light blue and the same red with purple makes a change. It shows that
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there is no mistake. Any pink shows that and very likely it is
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reasonable. Very likely there should not be a finer fancy present. Some
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increase means a calamity and this is the best preparation for three and
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more being together. A little calm is so ordinary and in any case there
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is sweetness and some of that.
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A seal and matches and a swan and ivy and a suit.
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A closet, a closet does not connect under the bed. The band if it is
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white and black, the band has a green string. A sight a whole sight and
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a little groan grinding makes a trimming such a sweet singing trimming
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and a red thing not a round thing but a white thing, a red thing and a
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white thing.
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The disgrace is not in carelessness nor even in sewing it comes out out
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of the way.
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What is the sash like. The sash is not like anything mustard it is not
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like a same thing that has stripes, it is not even more hurt than that,
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it has a little top.
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A BOX.
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Out of kindness comes redness and out of rudeness comes rapid same
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question, out of an eye comes research, out of selection comes painful
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cattle. So then the order is that a white way of being round is
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something suggesting a pin and is it disappointing, it is not, it is so
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rudimentary to be analysed and see a fine substance strangely, it is so
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earnest to have a green point not to red but to point again.
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A PIECE OF COFFEE.
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More of double.
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A place in no new table.
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A single image is not splendor. Dirty is yellow. A sign of more in not
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mentioned. A piece of coffee is not a detainer. The resemblance to
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yellow is dirtier and distincter. The clean mixture is whiter and not
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coal color, never more coal color than altogether.
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The sight of a reason, the same sight slighter, the sight of a simpler
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negative answer, the same sore sounder, the intention to wishing, the
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same splendor, the same furniture.
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The time to show a message is when too late and later there is no
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hanging in a blight.
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A not torn rose-wood color. If it is not dangerous then a pleasure and
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more than any other if it is cheap is not cheaper. The amusing side is
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that the sooner there are no fewer the more certain is the necessity
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dwindled. Supposing that the case contained rose-wood and a color.
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Supposing that there was no reason for a distress and more likely for a
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number, supposing that there was no astonishment, is it not necessary to
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mingle astonishment.
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The settling of stationing cleaning is one way not to shatter scatter
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and scattering. The one way to use custom is to use soap and silk for
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cleaning. The one way to see cotton is to have a design concentrating
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the illusion and the illustration. The perfect way is to accustom the
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thing to have a lining and the shape of a ribbon and to be solid, quite
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solid in standing and to use heaviness in morning. It is light enough in
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that. It has that shape nicely. Very nicely may not be exaggerating.
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Very strongly may be sincerely fainting. May be strangely flattering.
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May not be strange in everything. May not be strange to.
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DIRT AND NOT COPPER.
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Dirt and not copper makes a color darker. It makes the shape so heavy
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and makes no melody harder.
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It makes mercy and relaxation and even a strength to spread a table
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fuller. There are more places not empty. They see cover.
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NOTHING ELEGANT.
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A charm a single charm is doubtful. If the red is rose and there is a
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gate surrounding it, if inside is let in and there places change then
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certainly something is upright. It is earnest.
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MILDRED'S UMBRELLA.
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A cause and no curve, a cause and loud enough, a cause and extra a loud
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clash and an extra wagon, a sign of extra, a sac a small sac and an
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established color and cunning, a slender grey and no ribbon, this means
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a loss a great loss a restitution.
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A METHOD OF A CLOAK.
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A single climb to a line, a straight exchange to a cane, a desperate
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adventure and courage and a clock, all this which is a system, which has
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feeling, which has resignation and success, all makes an attractive
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black silver.
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A RED STAMP.
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If lilies are lily white if they exhaust noise and distance and even
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dust, if they dusty will dirt a surface that has no extreme grace, if
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they do this and it is not necessary it is not at all necessary if they
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do this they need a catalogue.
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A BOX.
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A large box is handily made of what is necessary to replace any
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substance. Suppose an example is necessary, the plainer it is made the
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more reason there is for some outward recognition that there is a
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result.
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A box is made sometimes and them to see to see to it neatly and to have
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the holes stopped up makes it necessary to use paper.
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A custom which is necessary when a box is used and taken is that a large
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part of the time there are three which have different connections. The
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one is on the table. The two are on the table. The three are on the
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table. The one, one is the same length as is shown by the cover being
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longer. The other is different there is more cover that shows it. The
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other is different and that makes the corners have the same shade the
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eight are in singular arrangement to make four necessary.
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Lax, to have corners, to be lighter than some weight, to indicate a
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wedding journey, to last brown and not curious, to be wealthy,
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cigarettes are established by length and by doubling.
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Left open, to be left pounded, to be left closed, to be circulating in
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summer and winter, and sick color that is grey that is not dusty and red
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shows, to be sure cigarettes do measure an empty length sooner than a
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choice in color.
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Winged, to be winged means that white is yellow and pieces pieces that
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are brown are dust color if dust is washed off, then it is choice that
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is to say it is fitting cigarettes sooner than paper.
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An increase why is an increase idle, why is silver cloister, why is the
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spark brighter, if it is brighter is there any result, hardly more than
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ever.
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A PLATE.
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An occasion for a plate, an occasional resource is in buying and how
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soon does washing enable a selection of the same thing neater. If the
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party is small a clever song is in order.
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Plates and a dinner set of colored china. Pack together a string and
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enough with it to protect the centre, cause a considerable haste and
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gather more as it is cooling, collect more trembling and not any even
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trembling, cause a whole thing to be a church.
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A sad size a size that is not sad is blue as every bit of blue is
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precocious. A kind of green a game in green and nothing flat nothing
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quite flat and more round, nothing a particular color strangely, nothing
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breaking the losing of no little piece.
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A splendid address a really splendid address is not shown by giving a
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flower freely, it is not shown by a mark or by wetting.
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Cut cut in white, cut in white so lately. Cut more than any other and
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show it. Show it in the stem and in starting and in evening coming
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complication.
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A lamp is not the only sign of glass. The lamp and the cake are not the
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only sign of stone. The lamp and the cake and the cover are not the only
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necessity altogether.
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A plan a hearty plan, a compressed disease and no coffee, not even a
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card or a change to incline each way, a plan that has that excess and
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that break is the one that shows filling.
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A SELTZER BOTTLE.
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Any neglect of many particles to a cracking, any neglect of this makes
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around it what is lead in color and certainly discolor in silver. The
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use of this is manifold. Supposing a certain time selected is assured,
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suppose it is even necessary, suppose no other extract is permitted and
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no more handling is needed, suppose the rest of the message is mixed
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with a very long slender needle and even if it could be any black
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border, supposing all this altogether made a dress and suppose it was
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actual, suppose the mean way to state it was occasional, if you suppose
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this in August and even more melodiously, if you suppose this even in
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the necessary incident of there certainly being no middle in summer and
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winter, suppose this and an elegant settlement a very elegant settlement
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is more than of consequence, it is not final and sufficient and
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substituted. This which was so kindly a present was constant.
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A LONG DRESS.
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What is the current that makes machinery, that makes it crackle, what is
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the current that presents a long line and a necessary waist. What is
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this current.
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What is the wind, what is it.
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Where is the serene length, it is there and a dark place is not a dark
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place, only a white and red are black, only a yellow and green are blue,
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a pink is scarlet, a bow is every color. A line distinguishes it. A line
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just distinguishes it.
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A RED HAT.
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A dark grey, a very dark grey, a quite dark grey is monstrous
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ordinarily, it is so monstrous because there is no red in it. If red is
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in everything it is not necessary. Is that not an argument for any use
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of it and even so is there any place that is better, is there any place
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that has so much stretched out.
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A BLUE COAT.
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A blue coat is guided guided away, guided and guided away, that is the
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particular color that is used for that length and not any width not even
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more than a shadow.
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A PIANO.
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If the speed is open, if the color is careless, if the selection of a
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strong scent is not awkward, if the button holder is held by all the
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waving color and there is no color, not any color. If there is no dirt
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in a pin and there can be none scarcely, if there is not then the place
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is the same as up standing.
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This is no dark custom and it even is not acted in any such a way that a
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restraint is not spread. That is spread, it shuts and it lifts and
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awkwardly not awkwardly the centre is in standing.
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A CHAIR.
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A widow in a wise veil and more garments shows that shadows are even. It
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addresses no more, it shadows the stage and learning. A regular
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arrangement, the severest and the most preserved is that which has the
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arrangement not more than always authorised.
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A suitable establishment, well housed, practical, patient and staring, a
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suitable bedding, very suitable and not more particularly than
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complaining, anything suitable is so necessary.
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A fact is that when the direction is just like that, no more, longer,
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sudden and at the same time not any sofa, the main action is that
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without a blaming there is no custody.
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Practice measurement, practice the sign that means that really means a
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necessary betrayal, in showing that there is wearing.
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Hope, what is a spectacle, a spectacle is the resemblance between the
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circular side place and nothing else, nothing else.
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To choose it is ended, it is actual and more than that it has it
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certainly has the same treat, and a seat all that is practiced and more
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easily much more easily ordinarily.
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Pick a barn, a whole barn, and bend more slender accents than have ever
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been necessary, shine in the darkness necessarily. Actually not aching,
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actually not aching, a stubborn bloom is so artificial and even more
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than that, it is a spectacle, it is a binding accident, it is animosity
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and accentuation.
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If the chance to dirty diminishing is necessary, if it is why is there
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no complexion, why is there no rubbing, why is there no special
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protection.
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A FRIGHTFUL RELEASE.
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A bag which was left and not only taken but turned away was not found.
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The place was shown to be very like the last time. A piece was not
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exchanged, not a bit of it, a piece was left over. The rest was
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mismanaged.
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A PURSE.
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A purse was not green, it was not straw color, it was hardly seen and it
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had a use a long use and the chain, the chain was never missing, it was
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not misplaced, it showed that it was open, that is all that it showed.
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A MOUNTED UMBRELLA.
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What was the use of not leaving it there where it would hang what was
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the use if there was no chance of ever seeing it come there and show
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that it was handsome and right in the way it showed it. The lesson is to
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learn that it does show it, that it shows it and that nothing, that
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there is nothing, that there is no more to do about it and just so much
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more is there plenty of reason for making an exchange.
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A CLOTH.
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Enough cloth is plenty and more, more is almost enough for that and
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besides if there is no more spreading is there plenty of room for it.
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Any occasion shows the best way.
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MORE.
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An elegant use of foliage and grace and a little piece of white cloth
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and oil.
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Wondering so winningly in several kinds of oceans is the reason that
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makes red so regular and enthusiastic. The reason that there is more
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snips are the same shining very colored rid of no round color.
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A NEW CUP AND SAUCER.
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Enthusiastically hurting a clouded yellow bud and saucer,
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enthusiastically so is the bite in the ribbon.
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OBJECTS.
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Within, within the cut and slender joint alone, with sudden equals and
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no more than three, two in the centre make two one side.
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If the elbow is long and it is filled so then the best example is all
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together.
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The kind of show is made by squeezing.
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EYE GLASSES.
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A color in shaving, a saloon is well placed in the centre of an alley.
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CUTLET.
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A blind agitation is manly and uttermost.
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CARELESS WATER.
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No cup is broken in more places and mended, that is to say a plate is
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broken and mending does do that it shows that culture is Japanese. It
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shows the whole element of angels and orders. It does more to choosing
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and it does more to that ministering counting. It does, it does change
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in more water.
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Supposing a single piece is a hair supposing more of them are orderly,
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does that show that strength, does that show that joint, does that show
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that balloon famously. Does it.
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A PAPER.
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A courteous occasion makes a paper show no such occasion and this makes
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readiness and eyesight and likeness and a stool.
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A DRAWING.
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The meaning of this is entirely and best to say the mark, best to say it
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best to show sudden places, best to make bitter, best to make the length
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tall and nothing broader, anything between the half.
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WATER RAINING.
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Water astonishing and difficult altogether makes a meadow and a stroke.
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COLD CLIMATE.
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A season in yellow sold extra strings makes lying places.
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MALACHITE.
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The sudden spoon is the same in no size. The sudden spoon is the wound
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in the decision.
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AN UMBRELLA.
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Coloring high means that the strange reason is in front not more in
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front behind. Not more in front in peace of the dot.
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A PETTICOAT.
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A light white, a disgrace, an ink spot, a rosy charm.
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A WAIST.
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A star glide, a single frantic sullenness, a single financial grass
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greediness.
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Object that is in wood. Hold the pine, hold the dark, hold in the rush,
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make the bottom.
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A piece of crystal. A change, in a change that is remarkable there is no
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reason to say that there was a time.
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A woolen object gilded. A country climb is the best disgrace, a couple
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of practices any of them in order is so left.
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A TIME TO EAT.
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A pleasant simple habitual and tyrannical and authorised and educated
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and resumed and articulate separation. This is not tardy.
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A LITTLE BIT OF A TUMBLER.
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A shining indication of yellow consists in there having been more of the
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same color than could have been expected when all four were bought. This
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was the hope which made the six and seven have no use for any more
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places and this necessarily spread into nothing. Spread into nothing.
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A FIRE.
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What was the use of a whole time to send and not send if there was to be
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the kind of thing that made that come in. A letter was nicely sent.
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A HANDKERCHIEF.
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A winning of all the blessings, a sample not a sample because there is
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no worry.
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RED ROSES.
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A cool red rose and a pink cut pink, a collapse and a sold hole, a
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little less hot.
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IN BETWEEN.
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In between a place and candy is a narrow foot-path that shows more
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mounting than anything, so much really that a calling meaning a bolster
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measured a whole thing with that. A virgin a whole virgin is judged made
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and so between curves and outlines and real seasons and more out glasses
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and a perfectly unprecedented arrangement between old ladies and mild
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colds there is no satin wood shining.
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COLORED HATS.
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Colored hats are necessary to show that curls are worn by an addition of
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blank spaces, this makes the difference between single lines and broad
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stomachs, the least thing is lightening, the least thing means a little
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flower and a big delay a big delay that makes more nurses than little
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women really little women. So clean is a light that nearly all of it
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shows pearls and little ways. A large hat is tall and me and all custard
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whole.
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A FEATHER.
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A feather is trimmed, it is trimmed by the light and the bug and the
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post, it is trimmed by little leaning and by all sorts of mounted
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reserves and loud volumes. It is surely cohesive.
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|
|
A BROWN.
|
|
|
|
A brown which is not liquid not more so is relaxed and yet there is a
|
|
change, a news is pressing.
|
|
|
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|
|
A LITTLE CALLED PAULINE.
|
|
|
|
A little called anything shows shudders.
|
|
|
|
Come and say what prints all day. A whole few watermelon. There is no
|
|
pope.
|
|
|
|
No cut in pennies and little dressing and choose wide soles and little
|
|
spats really little spices.
|
|
|
|
A little lace makes boils. This is not true.
|
|
|
|
Gracious of gracious and a stamp a blue green white bow a blue green
|
|
lean, lean on the top.
|
|
|
|
If it is absurd then it is leadish and nearly set in where there is a
|
|
tight head.
|
|
|
|
A peaceful life to arise her, noon and moon and moon. A letter a cold
|
|
sleeve a blanket a shaving house and nearly the best and regular window.
|
|
|
|
Nearer in fairy sea, nearer and farther, show white has lime in sight,
|
|
show a stitch of ten. Count, count more so that thicker and thicker is
|
|
leaning.
|
|
|
|
I hope she has her cow. Bidding a wedding, widening received treading,
|
|
little leading mention nothing.
|
|
|
|
Cough out cough out in the leather and really feather it is not for.
|
|
|
|
Please could, please could, jam it not plus more sit in when.
|
|
|
|
|
|
A SOUND.
|
|
|
|
Elephant beaten with candy and little pops and chews all bolts and
|
|
reckless reckless rats, this is this.
|
|
|
|
|
|
A TABLE.
|
|
|
|
A table means does it not my dear it means a whole steadiness. Is it
|
|
likely that a change.
|
|
|
|
A table means more than a glass even a looking glass is tall. A table
|
|
means necessary places and a revision a revision of a little thing it
|
|
means it does mean that there has been a stand, a stand where it did
|
|
shake.
|
|
|
|
|
|
SHOES.
|
|
|
|
To be a wall with a damper a stream of pounding way and nearly enough
|
|
choice makes a steady midnight. It is pus.
|
|
|
|
A shallow hole rose on red, a shallow hole in and in this makes ale
|
|
less. It shows shine.
|
|
|
|
|
|
A DOG.
|
|
|
|
A little monkey goes like a donkey that means to say that means to say
|
|
that more sighs last goes. Leave with it. A little monkey goes like a
|
|
donkey.
|
|
|
|
|
|
A WHITE HUNTER.
|
|
|
|
A white hunter is nearly crazy.
|
|
|
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|
|
A LEAVE.
|
|
|
|
In the middle of a tiny spot and nearly bare there is a nice thing to
|
|
say that wrist is leading. Wrist is leading.
|
|
|
|
|
|
SUPPOSE AN EYES.
|
|
|
|
Suppose it is within a gate which open is open at the hour of closing
|
|
summer that is to say it is so.
|
|
|
|
All the seats are needing blackening. A white dress is in sign. A
|
|
soldier a real soldier has a worn lace a worn lace of different sizes
|
|
that is to say if he can read, if he can read he is a size to show
|
|
shutting up twenty-four.
|
|
|
|
Go red go red, laugh white.
|
|
|
|
Suppose a collapse in rubbed purr, in rubbed purr get.
|
|
|
|
Little sales ladies little sales ladies little saddles of mutton.
|
|
|
|
Little sales of leather and such beautiful beautiful, beautiful
|
|
beautiful.
|
|
|
|
|
|
A SHAWL.
|
|
|
|
A shawl is a hat and hurt and a red balloon and an under coat and a
|
|
sizer a sizer of talks.
|
|
|
|
A shawl is a wedding, a piece of wax a little build. A shawl.
|
|
|
|
Pick a ticket, pick it in strange steps and with hollows. There is
|
|
hollow hollow belt, a belt is a shawl.
|
|
|
|
A plate that has a little bobble, all of them, any so.
|
|
|
|
Please a round it is ticket.
|
|
|
|
It was a mistake to state that a laugh and a lip and a laid climb and a
|
|
depot and a cultivator and little choosing is a point it.
|
|
|
|
|
|
BOOK.
|
|
|
|
Book was there, it was there. Book was there. Stop it, stop it, it was a
|
|
cleaner, a wet cleaner and it was not where it was wet, it was not high,
|
|
it was directly placed back, not back again, back it was returned, it
|
|
was needless, it put a bank, a bank when, a bank care.
|
|
|
|
Suppose a man a realistic expression of resolute reliability suggests
|
|
pleasing itself white all white and no head does that mean soap. It does
|
|
not so. It means kind wavers and little chance to beside beside rest. A
|
|
plain.
|
|
|
|
Suppose ear rings, that is one way to breed, breed that. Oh chance to
|
|
say, oh nice old pole. Next best and nearest a pillar. Chest not
|
|
valuable, be papered.
|
|
|
|
Cover up cover up the two with a little piece of string and hope rose
|
|
and green, green.
|
|
|
|
Please a plate, put a match to the seam and really then really then,
|
|
really then it is a remark that joins many many lead games. It is a
|
|
sister and sister and a flower and a flower and a dog and a colored sky
|
|
a sky colored grey and nearly that nearly that let.
|
|
|
|
|
|
PEELED PENCIL, CHOKE.
|
|
|
|
Rub her coke.
|
|
|
|
|
|
IT WAS BLACK, BLACK TOOK.
|
|
|
|
Black ink best wheel bale brown.
|
|
|
|
Excellent not a hull house, not a pea soup, no bill no care, no precise
|
|
no past pearl pearl goat.
|
|
|
|
|
|
THIS IS THE DRESS, AIDER.
|
|
|
|
Aider, why aider why whow, whow stop touch, aider whow, aider stop the
|
|
muncher, muncher munchers.
|
|
|
|
A jack in kill her, a jack in, makes a meadowed king, makes a to let.
|
|
|
|
|
|
|
|
|
|
FOOD
|
|
|
|
|
|
ROASTBEEF; MUTTON; BREAKFAST; SUGAR; CRANBERRIES; MILK; EGGS; APPLE;
|
|
TAILS; LUNCH; CUPS; RHUBARB; SINGLE; FISH; CAKE; CUSTARD; POTATOES;
|
|
ASPARAGUS; BUTTER; END OF SUMMER; SAUSAGES; CELERY; VEAL; VEGETABLE;
|
|
COOKING; CHICKEN; PASTRY; CREAM; CUCUMBER; DINNER; DINING; EATING;
|
|
SALAD; SAUCE; SALMON; ORANGE; COCOA; AND CLEAR SOUP AND ORANGES AND
|
|
OATMEAL; SALAD DRESSING AND AN ARTICHOKE; A CENTRE IN A TABLE.
|
|
|
|
|
|
ROASTBEEF.
|
|
|
|
In the inside there is sleeping, in the outside there is reddening, in
|
|
the morning there is meaning, in the evening there is feeling. In the
|
|
evening there is feeling. In feeling anything is resting, in feeling
|
|
anything is mounting, in feeling there is resignation, in feeling there
|
|
is recognition, in feeling there is recurrence and entirely mistaken
|
|
there is pinching. All the standards have steamers and all the curtains
|
|
have bed linen and all the yellow has discrimination and all the circle
|
|
has circling. This makes sand.
|
|
|
|
Very well. Certainly the length is thinner and the rest, the round rest
|
|
has a longer summer. To shine, why not shine, to shine, to station, to
|
|
enlarge, to hurry the measure all this means nothing if there is
|
|
singing, if there is singing then there is the resumption.
|
|
|
|
The change the dirt, not to change dirt means that there is no beefsteak
|
|
and not to have that is no obstruction, it is so easy to exchange
|
|
meaning, it is so easy to see the difference. The difference is that a
|
|
plain resource is not entangled with thickness and it does not mean that
|
|
thickness shows such cutting, it does mean that a meadow is useful and a
|
|
cow absurd. It does not mean that there are tears, it does not mean that
|
|
exudation is cumbersome, it means no more than a memory, a choice and a
|
|
reëstablishment, it means more than any escape from a surrounding extra.
|
|
All the time that there is use there is use and any time there is a
|
|
surface there is a surface, and every time there is an exception there
|
|
is an exception and every time there is a division there is a dividing.
|
|
Any time there is a surface there is a surface and every time there is a
|
|
suggestion there is a suggestion and every time there is silence there
|
|
is silence and every time that is languid there is that there then and
|
|
not oftener, not always, not particular, tender and changing and
|
|
external and central and surrounded and singular and simple and the same
|
|
and the surface and the circle and the shine and the succor and the
|
|
white and the same and the better and the red and the same and the
|
|
centre and the yellow and the tender and the better, and altogether.
|
|
|
|
Considering the circumstances there is no occasion for a reduction,
|
|
considering that there is no pealing there is no occasion for an
|
|
obligation, considering that there is no outrage there is no necessity
|
|
for any reparation, considering that there is no particle sodden there
|
|
is no occasion for deliberation. Considering everything and which way
|
|
the turn is tending, considering everything why is there no restraint,
|
|
considering everything what makes the place settle and the plate
|
|
distinguish some specialties. The whole thing is not understood and this
|
|
is not strange considering that there is no education, this is not
|
|
strange because having that certainly does show the difference in
|
|
cutting, it shows that when there is turning there is no distress.
|
|
|
|
In kind, in a control, in a period, in the alteration of pigeons, in
|
|
kind cuts and thick and thin spaces, in kind ham and different colors,
|
|
the length of leaning a strong thing outside not to make a sound but to
|
|
suggest a crust, the principal taste is when there is a whole chance to
|
|
be reasonable, this does not mean that there is overtaking, this means
|
|
nothing precious, this means clearly that the chance to exercise is a
|
|
social success. So then the sound is not obtrusive. Suppose it is
|
|
obtrusive suppose it is. What is certainly the desertion is not a
|
|
reduced description, a description is not a birthday.
|
|
|
|
Lovely snipe and tender turn, excellent vapor and slender butter, all
|
|
the splinter and the trunk, all the poisonous darkening drunk, all the
|
|
joy in weak success, all the joyful tenderness, all the section and the
|
|
tea, all the stouter symmetry.
|
|
|
|
Around the size that is small, inside the stern that is the middle,
|
|
besides the remains that are praying, inside the between that is
|
|
turning, all the region is measuring and melting is exaggerating.
|
|
|
|
Rectangular ribbon does not mean that there is no eruption it means that
|
|
if there is no place to hold there is no place to spread. Kindness is
|
|
not earnest, it is not assiduous it is not revered.
|
|
|
|
Room to comb chickens and feathers and ripe purple, room to curve single
|
|
plates and large sets and second silver, room to send everything away,
|
|
room to save heat and distemper, room to search a light that is simpler,
|
|
all room has no shadow.
|
|
|
|
There is no use there is no use at all in smell, in taste, in teeth, in
|
|
toast, in anything, there is no use at all and the respect is mutual.
|
|
|
|
Why should that which is uneven, that which is resumed, that which is
|
|
tolerable why should all this resemble a smell, a thing is there, it
|
|
whistles, it is not narrower, why is there no obligation to stay away
|
|
and yet courage, courage is everywhere and the best remains to stay.
|
|
|
|
If there could be that which is contained in that which is felt there
|
|
would be a chair where there are chairs and there would be no more
|
|
denial about a clatter. A clatter is not a smell. All this is good.
|
|
|
|
The Saturday evening which is Sunday is every week day. What choice is
|
|
there when there is a difference. A regulation is not active.
|
|
Thirstiness is not equal division.
|
|
|
|
Anyway, to be older and ageder is not a surfeit nor a suction, it is not
|
|
dated and careful, it is not dirty. Any little thing is clean, rubbing
|
|
is black. Why should ancient lambs be goats and young colts and never
|
|
beef, why should they, they should because there is so much difference
|
|
in age.
|
|
|
|
A sound, a whole sound is not separation, a whole sound is in an order.
|
|
|
|
Suppose there is a pigeon, suppose there is.
|
|
|
|
Looseness, why is there a shadow in a kitchen, there is a shadow in a
|
|
kitchen because every little thing is bigger.
|
|
|
|
The time when there are four choices and there are four choices in a
|
|
difference, the time when there are four choices there is a kind and
|
|
there is a kind. There is a kind. There is a kind. Supposing there is a
|
|
bone, there is a bone. Supposing there are bones. There are bones. When
|
|
there are bones there is no supposing there are bones. There are bones
|
|
and there is that consuming. The kindly way to feel separating is to
|
|
have a space between. This shows a likeness.
|
|
|
|
Hope in gates, hope in spoons, hope in doors, hope in tables, no hope in
|
|
daintiness and determination. Hope in dates.
|
|
|
|
Tin is not a can and a stove is hardly. Tin is not necessary and neither
|
|
is a stretcher. Tin is never narrow and thick.
|
|
|
|
Color is in coal. Coal is outlasting roasting and a spoonful, a whole
|
|
spoon that is full is not spilling. Coal any coal is copper.
|
|
|
|
Claiming nothing, not claiming anything, not a claim in everything,
|
|
collecting claiming, all this makes a harmony, it even makes a
|
|
succession.
|
|
|
|
Sincerely gracious one morning, sincerely graciously trembling, sincere
|
|
in gracious eloping, all this makes a furnace and a blanket. All this
|
|
shows quantity.
|
|
|
|
Like an eye, not so much more, not any searching, no compliments.
|
|
|
|
Please be the beef, please beef, pleasure is not wailing. Please beef,
|
|
please be carved clear, please be a case of consideration.
|
|
|
|
Search a neglect. A sale, any greatness is a stall and there is no
|
|
memory, there is no clear collection.
|
|
|
|
A satin sight, what is a trick, no trick is mountainous and the color,
|
|
all the rush is in the blood.
|
|
|
|
Bargaining for a little, bargain for a touch, a liberty, an
|
|
estrangement, a characteristic turkey.
|
|
|
|
Please spice, please no name, place a whole weight, sink into a standard
|
|
rising, raise a circle, choose a right around, make the resonance
|
|
accounted and gather green any collar.
|
|
|
|
To bury a slender chicken, to raise an old feather, to surround a
|
|
garland and to bake a pole splinter, to suggest a repose and to settle
|
|
simply, to surrender one another, to succeed saving simpler, to satisfy
|
|
a singularity and not to be blinder, to sugar nothing darker and to read
|
|
redder, to have the color better, to sort out dinner, to remain
|
|
together, to surprise no sinner, to curve nothing sweeter, to continue
|
|
thinner, to increase in resting recreation to design string not dimmer.
|
|
|
|
Cloudiness what is cloudiness, is it a lining, is it a roll, is it
|
|
melting.
|
|
|
|
The sooner there is jerking, the sooner freshness is tender, the sooner
|
|
the round it is not round the sooner it is withdrawn in cutting, the
|
|
sooner the measure means service, the sooner there is chinking, the
|
|
sooner there is sadder than salad, the sooner there is none do her, the
|
|
sooner there is no choice, the sooner there is a gloom freer, the same
|
|
sooner and more sooner, this is no error in hurry and in pressure and in
|
|
opposition to consideration.
|
|
|
|
A recital, what is a recital, it is an organ and use does not strengthen
|
|
valor, it soothes medicine.
|
|
|
|
A transfer, a large transfer, a little transfer, some transfer, clouds
|
|
and tracks do transfer, a transfer is not neglected.
|
|
|
|
Pride, when is there perfect pretence, there is no more than yesterday
|
|
and ordinary.
|
|
|
|
A sentence of a vagueness that is violence is authority and a mission
|
|
and stumbling and also certainly also a prison. Calmness, calm is beside
|
|
the plate and in way in. There is no turn in terror. There is no volume
|
|
in sound.
|
|
|
|
There is coagulation in cold and there is none in prudence. Something
|
|
is preserved and the evening is long and the colder spring has sudden
|
|
shadows in a sun. All the stain is tender and lilacs really lilacs are
|
|
disturbed. Why is the perfect reëstablishment practiced and prized, why
|
|
is it composed. The result the pure result is juice and size and baking
|
|
and exhibition and nonchalance and sacrifice and volume and a section in
|
|
division and the surrounding recognition and horticulture and no murmur.
|
|
This is a result. There is no superposition and circumstance, there is
|
|
hardness and a reason and the rest and remainder. There is no delight
|
|
and no mathematics.
|
|
|
|
|
|
MUTTON.
|
|
|
|
A letter which can wither, a learning which can suffer and an outrage
|
|
which is simultaneous is principal.
|
|
|
|
Student, students are merciful and recognised they chew something.
|
|
|
|
Hate rests that is solid and sparse and all in a shape and largely very
|
|
largely. Interleaved and successive and a sample of smell all this makes
|
|
a certainty a shade.
|
|
|
|
Light curls very light curls have no more curliness than soup. This is
|
|
not a subject.
|
|
|
|
Change a single stream of denting and change it hurriedly, what does it
|
|
express, it expresses nausea. Like a very strange likeness and pink,
|
|
like that and not more like that than the same resemblance and not more
|
|
like that than no middle space in cutting.
|
|
|
|
An eye glass, what is an eye glass, it is water. A splendid specimen,
|
|
what is it when it is little and tender so that there are parts. A
|
|
centre can place and four are no more and two and two are not middle.
|
|
|
|
Melting and not minding, safety and powder, a particular recollection
|
|
and a sincere solitude all this makes a shunning so thorough and so
|
|
unrepeated and surely if there is anything left it is a bone. It is not
|
|
solitary.
|
|
|
|
Any space is not quiet it is so likely to be shiny. Darkness very dark
|
|
darkness is sectional. There is a way to see in onion and surely very
|
|
surely rhubarb and a tomato, surely very surely there is that seeding. A
|
|
little thing in is a little thing.
|
|
|
|
Mud and water were not present and not any more of either. Silk and
|
|
stockings were not present and not any more of either. A receptacle and
|
|
a symbol and no monster were present and no more. This made a piece
|
|
show and was it a kindness, it can be asked was it a kindness to have it
|
|
warmer, was it a kindness and does gliding mean more. Does it.
|
|
|
|
Does it dirty a ceiling. It does not. Is it dainty, it is if prices are
|
|
sweet. Is it lamentable, it is not if there is no undertaker. Is it
|
|
curious, it is not when there is youth. All this makes a line, it even
|
|
makes makes no more. All this makes cherries. The reason that there is a
|
|
suggestion in vanity is due to this that there is a burst of mixed
|
|
music.
|
|
|
|
A temptation any temptation is an exclamation if there are misdeeds and
|
|
little bones. It is not astonishing that bones mingle as they vary not
|
|
at all and in any case why is a bone outstanding, it is so because the
|
|
circumstance that does not make a cake and character is so easily
|
|
churned and cherished.
|
|
|
|
Mouse and mountain and a quiver, a quaint statue and pain in an exterior
|
|
and silence more silence louder shows salmon a mischief intender. A
|
|
cake, a real salve made of mutton and liquor, a specially retained
|
|
rinsing and an established cork and blazing, this which resignation
|
|
influences and restrains, restrains more altogether. A sign is the
|
|
specimen spoken.
|
|
|
|
A meal in mutton, mutton, why is lamb cheaper, it is cheaper because so
|
|
little is more. Lecture, lecture and repeat instruction.
|
|
|
|
|
|
BREAKFAST.
|
|
|
|
A change, a final change includes potatoes. This is no authority for the
|
|
abuse of cheese. What language can instruct any fellow.
|
|
|
|
A shining breakfast, a breakfast shining, no dispute, no practice,
|
|
nothing, nothing at all.
|
|
|
|
A sudden slice changes the whole plate, it does so suddenly.
|
|
|
|
An imitation, more imitation, imitation succeed imitations.
|
|
|
|
Anything that is decent, anything that is present, a calm and a cook and
|
|
more singularly still a shelter, all these show the need of clamor. What
|
|
is the custom, the custom is in the centre.
|
|
|
|
What is a loving tongue and pepper and more fish than there is when
|
|
tears many tears are necessary. The tongue and the salmon, there is not
|
|
salmon when brown is a color, there is salmon when there is no meaning
|
|
to an early morning being pleasanter. There is no salmon, there are no
|
|
tea-cups, there are the same kind of mushes as are used as stomachers
|
|
by the eating hopes that makes eggs delicious. Drink is likely to stir a
|
|
certain respect for an egg cup and more water melon than was ever eaten
|
|
yesterday. Beer is neglected and cocoanut is famous. Coffee all coffee
|
|
and a sample of soup all soup these are the choice of a baker. A white
|
|
cup means a wedding. A wet cup means a vacation. A strong cup means an
|
|
especial regulation. A single cup means a capital arrangement between
|
|
the drawer and the place that is open.
|
|
|
|
Price a price is not in language, it is not in custom, it is not in
|
|
praise.
|
|
|
|
A colored loss, why is there no leisure. If the persecution is so
|
|
outrageous that nothing is solemn is there any occasion for persuasion.
|
|
|
|
A grey turn to a top and bottom, a silent pocketful of much heating, all
|
|
the pliable succession of surrendering makes an ingenious joy.
|
|
|
|
A breeze in a jar and even then silence, a special anticipation in a
|
|
rack, a gurgle a whole gurgle and more cheese than almost anything, is
|
|
this an astonishment, does this incline more than the original division
|
|
between a tray and a talking arrangement and even then a calling into
|
|
another room gently with some chicken in any way.
|
|
|
|
A bent way that is a way to declare that the best is all together, a
|
|
bent way shows no result, it shows a slight restraint, it shows a
|
|
necessity for retraction.
|
|
|
|
Suspect a single buttered flower, suspect it certainly, suspect it and
|
|
then glide, does that not alter a counting.
|
|
|
|
A hurt mended stick, a hurt mended cup, a hurt mended article of
|
|
exceptional relaxation and annoyance, a hurt mended, hurt and mended is
|
|
so necessary that no mistake is intended.
|
|
|
|
What is more likely than a roast, nothing really and yet it is never
|
|
disappointed singularly.
|
|
|
|
A steady cake, any steady cake is perfect and not plain, any steady cake
|
|
has a mounting reason and more than that it has singular crusts. A
|
|
season of more is a season that is instead. A season of many is not more
|
|
a season than most.
|
|
|
|
Take no remedy lightly, take no urging intently, take no separation
|
|
leniently, beware of no lake and no larder.
|
|
|
|
Burden the cracked wet soaking sack heavily, burden it so that it is an
|
|
institution in fright and in climate and in the best plan that there can
|
|
be.
|
|
|
|
An ordinary color, a color is that strange mixture which makes, which
|
|
does make which does not make a ripe juice, which does not make a mat.
|
|
|
|
A work which is a winding a real winding of the cloaking of a relaxing
|
|
rescue. This which is so cool is not dusting, it is not dirtying in
|
|
smelling, it could use white water, it could use more extraordinarily
|
|
and in no solitude altogether. This which is so not winsome and not
|
|
widened and really not so dipped as dainty and really dainty, very
|
|
dainty, ordinarily, dainty, a dainty, not in that dainty and dainty. If
|
|
the time is determined, if it is determined and there is reunion there
|
|
is reunion with that then outline, then there is in that a piercing
|
|
shutter, all of a piercing shouter, all of a quite weather, all of a
|
|
withered exterior, all of that in most violent likely.
|
|
|
|
An excuse is not dreariness, a single plate is not butter, a single
|
|
weight is not excitement, a solitary crumbling is not only martial.
|
|
|
|
A mixed protection, very mixed with the same actual intentional
|
|
unstrangeness and riding, a single action caused necessarily is not more
|
|
a sign than a minister.
|
|
|
|
Seat a knife near a cage and very near a decision and more nearly a
|
|
timely working cat and scissors. Do this temporarily and make no more
|
|
mistake in standing. Spread it all and arrange the white place, does
|
|
this show in the house, does it not show in the green that is not
|
|
necessary for that color, does it not even show in the explanation and
|
|
singularly not at all stationary.
|
|
|
|
|
|
SUGAR.
|
|
|
|
A violent luck and a whole sample and even then quiet.
|
|
|
|
Water is squeezing, water is almost squeezing on lard. Water, water is a
|
|
mountain and it is selected and it is so practical that there is no use
|
|
in money. A mind under is exact and so it is necessary to have a mouth
|
|
and eye glasses.
|
|
|
|
A question of sudden rises and more time than awfulness is so easy and
|
|
shady. There is precisely that noise.
|
|
|
|
A peck a small piece not privately overseen, not at all not a slice, not
|
|
at all crestfallen and open, not at all mounting and chaining and evenly
|
|
surpassing, all the bidding comes to tea.
|
|
|
|
A separation is not tightly in worsted and sauce, it is so kept well and
|
|
sectionally.
|
|
|
|
Put it in the stew, put it to shame. A little slight shadow and a solid
|
|
fine furnace.
|
|
|
|
The teasing is tender and trying and thoughtful.
|
|
|
|
The line which sets sprinkling to be a remedy is beside the best cold.
|
|
|
|
A puzzle, a monster puzzle, a heavy choking, a neglected Tuesday.
|
|
|
|
Wet crossing and a likeness, any likeness, a likeness has blisters, it
|
|
has that and teeth, it has the staggering blindly and a little green,
|
|
any little green is ordinary.
|
|
|
|
One, two and one, two, nine, second and five and that.
|
|
|
|
A blaze, a search in between, a cow, only any wet place, only this tune.
|
|
|
|
Cut a gas jet uglier and then pierce pierce in between the next and
|
|
negligence. Choose the rate to pay and pet pet very much. A collection
|
|
of all around, a signal poison, a lack of languor and more hurts at
|
|
ease.
|
|
|
|
A white bird, a colored mine, a mixed orange, a dog.
|
|
|
|
Cuddling comes in continuing a change.
|
|
|
|
A piece of separate outstanding rushing is so blind with open delicacy.
|
|
|
|
A canoe is orderly. A period is solemn. A cow is accepted.
|
|
|
|
A nice old chain is widening, it is absent, it is laid by.
|
|
|
|
|
|
CRANBERRIES.
|
|
|
|
Could there not be a sudden date, could there not be in the present
|
|
settlement of old age pensions, could there not be by a witness, could
|
|
there be.
|
|
|
|
Count the chain, cut the grass, silence the noon and murder flies. See
|
|
the basting undip the chart, see the way the kinds are best seen from
|
|
the rest, from that and untidy.
|
|
|
|
Cut the whole space into twenty-four spaces and then and then is there a
|
|
yellow color, there is but it is smelled, it is then put where it is and
|
|
nothing stolen.
|
|
|
|
A remarkable degree of red means that, a remarkable exchange is made.
|
|
|
|
Climbing altogether in when there is a solid chance of soiling no more
|
|
than a dirty thing, coloring all of it in steadying is jelly.
|
|
|
|
Just as it is suffering, just as it is succeeded, just as it is moist so
|
|
is there no countering.
|
|
|
|
|
|
MILK.
|
|
|
|
A white egg and a colored pan and a cabbage showing settlement, a
|
|
constant increase.
|
|
|
|
A cold in a nose, a single cold nose makes an excuse. Two are more
|
|
necessary.
|
|
|
|
All the goods are stolen, all the blisters are in the cup.
|
|
|
|
Cooking, cooking is the recognition between sudden and nearly sudden
|
|
very little and all large holes.
|
|
|
|
A real pint, one that is open and closed and in the middle is so bad.
|
|
|
|
Tender colds, seen eye holders, all work, the best of change, the
|
|
meaning, the dark red, all this and bitten, really bitten.
|
|
|
|
Guessing again and golfing again and the best men, the very best men.
|
|
|
|
|
|
MILK.
|
|
|
|
Climb up in sight climb in the whole utter needles and a guess a whole
|
|
guess is hanging. Hanging hanging.
|
|
|
|
|
|
EGGS.
|
|
|
|
Kind height, kind in the right stomach with a little sudden mill.
|
|
|
|
Cunning shawl, cunning shawl to be steady.
|
|
|
|
In white in white handkerchiefs with little dots in a white belt all
|
|
shadows are singular they are singular and procured and relieved.
|
|
|
|
No that is not the cows shame and a precocious sound, it is a bite.
|
|
|
|
Cut up alone the paved way which is harm. Harm is old boat and a likely
|
|
dash.
|
|
|
|
|
|
APPLE.
|
|
|
|
Apple plum, carpet steak, seed clam, colored wine, calm seen, cold
|
|
cream, best shake, potato, potato and no no gold work with pet, a green
|
|
seen is called bake and change sweet is bready, a little piece a little
|
|
piece please.
|
|
|
|
A little piece please. Cane again to the presupposed and ready
|
|
eucalyptus tree, count out sherry and ripe plates and little corners of
|
|
a kind of ham. This is use.
|
|
|
|
|
|
TAILS.
|
|
|
|
Cold pails, cold with joy no joy.
|
|
|
|
A tiny seat that means meadows and a lapse of cuddles with cheese and
|
|
nearly bats, all this went messed. The post placed a loud loose sprain.
|
|
A rest is no better. It is better yet. All the time.
|
|
|
|
|
|
LUNCH.
|
|
|
|
Luck in loose plaster makes holy gauge and nearly that, nearly more
|
|
states, more states come in town light kite, blight not white.
|
|
|
|
A little lunch is a break in skate a little lunch so slimy, a west end
|
|
of a board line is that which shows a little beneath so that necessity
|
|
is a silk under wear. That is best wet. It is so natural, and why is
|
|
there flake, there is flake to explain exhaust.
|
|
|
|
A real cold hen is nervous is nervous with a towel with a spool with
|
|
real beads. It is mostly an extra sole nearly all that shaved, shaved
|
|
with an old mountain, more than that bees more than that dinner and a
|
|
bunch of likes that is to say the hearts of onions aim less.
|
|
|
|
Cold coffee with a corn a corn yellow and green mass is a gem.
|
|
|
|
|
|
CUPS.
|
|
|
|
A single example of excellence is in the meat. A bent stick is surging
|
|
and might all might is mental. A grand clothes is searching out a candle
|
|
not that wheatly not that by more than an owl and a path. A ham is proud
|
|
of cocoanut.
|
|
|
|
A cup is neglected by being all in size. It is a handle and meadows and
|
|
sugar any sugar.
|
|
|
|
A cup is neglected by being full of size. It shows no shade, in come
|
|
little wood cuts and blessing and nearly not that not with a wild bought
|
|
in, not at all so polite, not nearly so behind.
|
|
|
|
Cups crane in. They need a pet oyster, they need it so hoary and nearly
|
|
choice. The best slam is utter. Nearly be freeze.
|
|
|
|
Why is a cup a stir and a behave. Why is it so seen.
|
|
|
|
A cup is readily shaded, it has in between no sense that is to say
|
|
music, memory, musical memory.
|
|
|
|
Peanuts blame, a half sand is holey and nearly.
|
|
|
|
|
|
RHUBARB.
|
|
|
|
Rhubarb is susan not susan not seat in bunch toys not wild and laughable
|
|
not in little places not in neglect and vegetable not in fold coal age
|
|
not please.
|
|
|
|
|
|
SINGLE FISH.
|
|
|
|
Single fish single fish single fish egg-plant single fish sight.
|
|
|
|
A sweet win and not less noisy than saddle and more ploughing and nearly
|
|
well painted by little things so.
|
|
|
|
Please shade it a play. It is necessary and beside the large sort is
|
|
puff.
|
|
|
|
Every way oakly, please prune it near. It is so found.
|
|
|
|
It is not the same.
|
|
|
|
|
|
CAKE.
|
|
|
|
Cake cast in went to be and needles wine needles are such.
|
|
|
|
This is today. A can experiment is that which makes a town, makes a town
|
|
dirty, it is little please. We came back. Two bore, bore what, a mussed
|
|
ash, ash when there is tin. This meant cake. It was a sign.
|
|
|
|
Another time there was extra a hat pin sought long and this dark made a
|
|
display. The result was yellow. A caution, not a caution to be.
|
|
|
|
It is no use to cause a foolish number. A blanket stretch a cloud, a
|
|
shame, all that bakery can tease, all that is beginning and yesterday
|
|
yesterday we had it met. It means some change. No some day.
|
|
|
|
A little leaf upon a scene an ocean any where there, a bland and likely
|
|
in the stream a recollection green land. Why white.
|
|
|
|
|
|
CUSTARD.
|
|
|
|
Custard is this. It has aches, aches when. Not to be. Not to be
|
|
narrowly. This makes a whole little hill.
|
|
|
|
It is better than a little thing that has mellow real mellow. It is
|
|
better than lakes whole lakes, it is better than seeding.
|
|
|
|
|
|
POTATOES.
|
|
|
|
Real potatoes cut in between.
|
|
|
|
|
|
POTATOES.
|
|
|
|
In the preparation of cheese, in the preparation of crackers, in the
|
|
preparation of butter, in it.
|
|
|
|
|
|
ROAST POTATOES.
|
|
|
|
Roast potatoes for.
|
|
|
|
|
|
ASPARAGUS.
|
|
|
|
Asparagus in a lean in a lean to hot. This makes it art and it is wet
|
|
wet weather wet weather wet.
|
|
|
|
|
|
BUTTER.
|
|
|
|
Boom in boom in, butter. Leave a grain and show it, show it. I spy.
|
|
|
|
It is a need it is a need that a flower a state flower. It is a need
|
|
that a state rubber. It is a need that a state rubber is sweet and sight
|
|
and a swelled stretch. It is a need. It is a need that state rubber.
|
|
|
|
Wood a supply. Clean little keep a strange, estrange on it.
|
|
|
|
Make a little white, no and not with pit, pit on in within.
|
|
|
|
|
|
END OF SUMMER.
|
|
|
|
Little eyelets that have hammer and a check with stripes between a
|
|
lounge, in wit, in a rested development.
|
|
|
|
|
|
SAUSAGES.
|
|
|
|
Sausages in between a glass.
|
|
|
|
There is read butter. A loaf of it is managed. Wake a question. Eat an
|
|
instant, answer.
|
|
|
|
A reason for bed is this, that a decline, any decline is poison, poison
|
|
is a toe a toe extractor, this means a solemn change. Hanging.
|
|
|
|
No evil is wide, any extra in leaf is so strange and singular a red
|
|
breast.
|
|
|
|
|
|
CELERY.
|
|
|
|
Celery tastes tastes where in curled lashes and little bits and mostly
|
|
in remains.
|
|
|
|
A green acre is so selfish and so pure and so enlivened.
|
|
|
|
|
|
VEAL.
|
|
|
|
Very well very well, washing is old, washing is washing.
|
|
|
|
Cold soup, cold soup clear and particular and a principal a principal
|
|
question to put into.
|
|
|
|
|
|
VEGETABLE.
|
|
|
|
What is cut. What is cut by it. What is cut by it in.
|
|
|
|
It was a cress a crescent a cross and an unequal scream, it was
|
|
upslanting, it was radiant and reasonable with little ins and red.
|
|
|
|
News. News capable of glees, cut in shoes, belike under pump of wide
|
|
chalk, all this combing.
|
|
|
|
|
|
WAY LAY VEGETABLE.
|
|
|
|
Leaves in grass and mow potatoes, have a skip, hurry you up flutter.
|
|
|
|
Suppose it is ex a cake suppose it is new mercy and leave charlotte and
|
|
nervous bed rows. Suppose it is meal. Suppose it is sam.
|
|
|
|
|
|
COOKING.
|
|
|
|
Alas, alas the pull alas the bell alas the coach in china, alas the
|
|
little put in leaf alas the wedding butter meat, alas the receptacle,
|
|
alas the back shape of mussle, mussle and soda.
|
|
|
|
|
|
CHICKEN.
|
|
|
|
Pheasant and chicken, chicken is a peculiar third.
|
|
|
|
|
|
CHICKEN.
|
|
|
|
Alas a dirty word, alas a dirty third alas a dirty third, alas a dirty
|
|
bird.
|
|
|
|
|
|
CHICKEN.
|
|
|
|
Alas a doubt in case of more go to say what it is cress. What is it.
|
|
Mean. Potato. Loaves.
|
|
|
|
|
|
CHICKEN.
|
|
|
|
Stick stick call then, stick stick sticking, sticking with a chicken.
|
|
Sticking in a extra succession, sticking in.
|
|
|
|
|
|
CHAIN-BOATS.
|
|
|
|
Chain-boats are merry, are merry blew, blew west, carpet.
|
|
|
|
|
|
PASTRY.
|
|
|
|
Cutting shade, cool spades and little last beds, make violet, violet
|
|
when.
|
|
|
|
|
|
CREAM.
|
|
|
|
In a plank, in a play sole, in a heated red left tree there is shut in
|
|
specs with salt be where. This makes an eddy. Necessary.
|
|
|
|
|
|
CREAM.
|
|
|
|
Cream cut. Any where crumb. Left hop chambers.
|
|
|
|
|
|
CUCUMBER.
|
|
|
|
Not a razor less, not a razor, ridiculous pudding, red and relet put in,
|
|
rest in a slender go in selecting, rest in, rest in in white widening.
|
|
|
|
|
|
DINNER.
|
|
|
|
Not a little fit, not a little fit sun sat in shed more mentally.
|
|
|
|
Let us why, let us why weight, let us why winter chess, let us why way.
|
|
|
|
Only a moon to soup her, only that in the sell never never be the cocups
|
|
nice be, shatter it they lay.
|
|
|
|
Egg ear nuts, look a bout. Shoulder. Let it strange, sold in bell next
|
|
herds.
|
|
|
|
It was a time when in the acres in late there was a wheel that shot a
|
|
burst of land and needless are niggers and a sample sample set of old
|
|
eaten butterflies with spoons, all of it to be are fled and measure make
|
|
it, make it, yet all the one in that we see where shall not it set with
|
|
a left and more so, yes there add when the longer not it shall the best
|
|
in the way when all be with when shall not for there with see and chest
|
|
how for another excellent and excellent and easy easy excellent and easy
|
|
express e c, all to be nice all to be no so. All to be no so no so. All
|
|
to be not a white old chat churner. Not to be any example of an edible
|
|
apple in.
|
|
|
|
|
|
DINING.
|
|
|
|
Dining is west.
|
|
|
|
|
|
EATING.
|
|
|
|
Eat ting, eating a grand old man said roof and never never re soluble
|
|
burst, not a near ring not a bewildered neck, not really any such bay.
|
|
|
|
Is it so a noise to be is it a least remain to rest, is it a so old say
|
|
to be, is it a leading are been. Is it so, is it so, is it so, is it so
|
|
is it so is it so.
|
|
|
|
Eel us eel us with no no pea no pea cool, no pea cool cooler, no pea
|
|
cooler with a land a land cost in, with a land cost in stretches.
|
|
|
|
Eating he heat eating he heat it eating, he heat it heat eating. He heat
|
|
eating.
|
|
|
|
A little piece of pay of pay owls owls such as pie, bolsters.
|
|
|
|
Will leap beat, willie well all. The rest rest oxen occasion occasion to
|
|
be so purred, so purred how.
|
|
|
|
It was a ham it was a square come well it was a square remain, a square
|
|
remain not it a bundle, not it a bundle so is a grip, a grip to shed bay
|
|
leave bay leave draught, bay leave draw cider in low, cider in low and
|
|
george. George is a mass.
|
|
|
|
|
|
EATING.
|
|
|
|
It was a shame it was a shame to stare to stare and double and relieve
|
|
relieve be cut up show as by the elevation of it and out out more in the
|
|
steady where the come and on and the all the shed and that.
|
|
|
|
It was a garden and belows belows straight. It was a pea, a pea pour it
|
|
in its not a succession, not it a simple, not it a so election, election
|
|
with.
|
|
|
|
|
|
SALAD.
|
|
|
|
It is a winning cake.
|
|
|
|
|
|
SAUCE.
|
|
|
|
What is bay labored what is all be section, what is no much. Sauce sam
|
|
in.
|
|
|
|
|
|
SALMON.
|
|
|
|
It was a peculiar bin a bin fond in beside.
|
|
|
|
|
|
ORANGE.
|
|
|
|
Why is a feel oyster an egg stir. Why is it orange centre.
|
|
|
|
A show at tick and loosen loosen it so to speak sat.
|
|
|
|
It was an extra leaker with a see spoon, it was an extra licker with a
|
|
see spoon.
|
|
|
|
|
|
ORANGE.
|
|
|
|
A type oh oh new new not no not knealer knealer of old show beefsteak,
|
|
neither neither.
|
|
|
|
|
|
ORANGES.
|
|
|
|
Build is all right.
|
|
|
|
|
|
ORANGE IN.
|
|
|
|
Go lack go lack use to her.
|
|
|
|
Cocoa and clear soup and oranges and oat-meal.
|
|
|
|
Whist bottom whist close, whist clothes, woodling.
|
|
|
|
Cocoa and clear soup and oranges and oat-meal.
|
|
|
|
Pain soup, suppose it is question, suppose it is butter, real is, real
|
|
is only, only excreate, only excreate a no since.
|
|
|
|
A no, a no since, a no since when, a no since when since, a no since
|
|
when since a no since when since, a no since, a no since when since, a
|
|
no since, a no, a no since a no since, a no since, a no since.
|
|
|
|
|
|
SALAD DRESSING AND AN ARTICHOKE.
|
|
|
|
Please pale hot, please cover rose, please acre in the red stranger,
|
|
please butter all the beef-steak with regular feel faces.
|
|
|
|
|
|
SALAD DRESSING AND AN ARTICHOKE.
|
|
|
|
It was please it was please carriage cup in an ice-cream, in an
|
|
ice-cream it was too bended bended with scissors and all this time. A
|
|
whole is inside a part, a part does go away, a hole is red leaf. No
|
|
choice was where there was and a second and a second.
|
|
|
|
|
|
A CENTRE IN A TABLE.
|
|
|
|
It was a way a day, this made some sum. Suppose a cod liver a cod liver
|
|
is an oil, suppose a cod liver oil is tunny, suppose a cod liver oil
|
|
tunny is pressed suppose a cod liver oil tunny pressed is china and
|
|
secret with a bestow a bestow reed, a reed to be a reed to be, in a reed
|
|
to be.
|
|
|
|
Next to me next to a folder, next to a folder some waiter, next to a
|
|
foldersome waiter and re letter and read her. Read her with her for
|
|
less.
|
|
|
|
|
|
|
|
|
|
ROOMS
|
|
|
|
|
|
Act so that there is no use in a centre. A wide action is not a width. A
|
|
preparation is given to the ones preparing. They do not eat who mention
|
|
silver and sweet. There was an occupation.
|
|
|
|
A whole centre and a border make hanging a way of dressing. This which
|
|
is not why there is a voice is the remains of an offering. There was no
|
|
rental.
|
|
|
|
So the tune which is there has a little piece to play, and the exercise
|
|
is all there is of a fast. The tender and true that makes no width to
|
|
hew is the time that there is question to adopt.
|
|
|
|
To begin the placing there is no wagon. There is no change lighter. It
|
|
was done. And then the spreading, that was not accomplishing that needed
|
|
standing and yet the time was not so difficult as they were not all in
|
|
place. They had no change. They were not respected. They were that, they
|
|
did it so much in the matter and this showed that that settlement was
|
|
not condensed. It was spread there. Any change was in the ends of the
|
|
centre. A heap was heavy. There was no change.
|
|
|
|
Burnt and behind and lifting a temporary stone and lifting more than a
|
|
drawer.
|
|
|
|
The instance of there being more is an instance of more. The shadow is
|
|
not shining in the way there is a black line. The truth has come. There
|
|
is a disturbance. Trusting to a baker's boy meant that there would be
|
|
very much exchanging and anyway what is the use of a covering to a door.
|
|
There is a use, they are double.
|
|
|
|
If the centre has the place then there is distribution. That is natural.
|
|
There is a contradiction and naturally returning there comes to be both
|
|
sides and the centre. That can be seen from the description.
|
|
|
|
The author of all that is in there behind the door and that is entering
|
|
in the morning. Explaining darkening and expecting relating is all of a
|
|
piece. The stove is bigger. It was of a shape that made no audience
|
|
bigger if the opening is assumed why should there not be kneeling. Any
|
|
force which is bestowed on a floor shows rubbing. This is so nice and
|
|
sweet and yet there comes the change, there comes the time to press
|
|
more air. This does not mean the same as disappearance.
|
|
|
|
A little lingering lion and a Chinese chair, all the handsome cheese
|
|
which is stone, all of it and a choice, a choice of a blotter. If it is
|
|
difficult to do it one way there is no place of similar trouble. None.
|
|
The whole arrangement is established. The end of which is that there is
|
|
a suggestion, a suggestion that there can be a different whiteness to a
|
|
wall. This was thought.
|
|
|
|
A page to a corner means that the shame is no greater when the table is
|
|
longer. A glass is of any height, it is higher, it is simpler and if it
|
|
were placed there would not be any doubt.
|
|
|
|
Something that is an erection is that which stands and feeds and
|
|
silences a tin which is swelling. This makes no diversion that is to say
|
|
what can please exaltation, that which is cooking.
|
|
|
|
A shine is that which when covered changes permission. An enclosure
|
|
blends with the same that is to say there is blending. A blend is that
|
|
which holds no mice and this is not because of a floor it is because of
|
|
nothing, it is not in a vision.
|
|
|
|
A fact is that when the place was replaced all was left that was stored
|
|
and all was retained that would not satisfy more than another. The
|
|
question is this, is it possible to suggest more to replace that thing.
|
|
This question and this perfect denial does make the time change all the
|
|
time.
|
|
|
|
The sister was not a mister. Was this a surprise. It was. The conclusion
|
|
came when there was no arrangement. All the time that there was a
|
|
question there was a decision. Replacing a casual acquaintance with an
|
|
ordinary daughter does not make a son.
|
|
|
|
It happened in a way that the time was perfect and there was a growth of
|
|
a whole dividing time so that where formerly there was no mistake there
|
|
was no mistake now. For instance before when there was a separation
|
|
there was waiting, now when there is separation there is the division
|
|
between intending and departing. This made no more mixture than there
|
|
would be if there had been no change.
|
|
|
|
A little sign of an entrance is the one that made it alike. If it were
|
|
smaller it was not alike and it was so much smaller that a table was
|
|
bigger. A table was much bigger, very much bigger. Changing that made
|
|
nothing bigger, it did not make anything bigger littler, it did not
|
|
hinder wood from not being used as leather. And this was so charming.
|
|
Harmony is so essential. Is there pleasure when there is a passage,
|
|
there is when every room is open. Every room is open when there are not
|
|
four, there were there and surely there were four, there were two
|
|
together. There is no resemblance.
|
|
|
|
A single speed, the reception of table linen, all the wonder of six
|
|
little spoons, there is no exercise.
|
|
|
|
The time came when there was a birthday. Every day was no excitement and
|
|
a birthday was added, it was added on Monday, this made the memory
|
|
clear, this which was a speech showed the chair in the middle where
|
|
there was copper.
|
|
|
|
Alike and a snail, this means Chinamen, it does there is no doubt that
|
|
to be right is more than perfect there is no doubt and glass is
|
|
confusing it confuses the substance which was of a color. Then came the
|
|
time for discrimination, it came then and it was never mentioned it was
|
|
so triumphant, it showed the whole head that had a hole and should have
|
|
a hole it showed the resemblance between silver.
|
|
|
|
Startling a starving husband is not disagreeable. The reason that
|
|
nothing is hidden is that there is no suggestion of silence. No song is
|
|
sad. A lesson is of consequence.
|
|
|
|
Blind and weak and organised and worried and betrothed and resumed and
|
|
also asked to a fast and always asked to consider and never startled and
|
|
not at all bloated, this which is no rarer than frequently is not so
|
|
astonishing when hair brushing is added. There is quiet, there certainly
|
|
is.
|
|
|
|
No eye-glasses are rotten, no window is useless and yet if air will not
|
|
come in there is a speech ready, there always is and there is no
|
|
dimness, not a bit of it.
|
|
|
|
All along the tendency to deplore the absence of more has not been
|
|
authorised. It comes to mean that with burning there is that pleasant
|
|
state of stupefication. Then there is a way of earning a living. Who is
|
|
a man.
|
|
|
|
A silence is not indicated by any motion, less is indicated by a motion,
|
|
more is not indicated it is enthralled. So sullen and so low, so much
|
|
resignation, so much refusal and so much place for a lower and an upper,
|
|
so much and yet more silence, why is not sleeping a feat why is it not
|
|
and when is there some discharge when. There never is.
|
|
|
|
If comparing a piece that is a size that is recognised as not a size but
|
|
a piece, comparing a piece with what is not recognised but what is used
|
|
as it is held by holding, comparing these two comes to be repeated.
|
|
Suppose they are put together, suppose that there is an interruption,
|
|
supposing that beginning again they are not changed as to position,
|
|
suppose all this and suppose that any five two of whom are not
|
|
separating suppose that the five are not consumed. Is there an exchange,
|
|
is there a resemblance to the sky which is admitted to be there and the
|
|
stars which can be seen. Is there. That was a question. There was no
|
|
certainty. Fitting a failing meant that any two were indifferent and yet
|
|
they were all connecting that, they were all connecting that
|
|
consideration. This did not determine rejoining a letter. This did not
|
|
make letters smaller. It did.
|
|
|
|
The stamp that is not only torn but also fitting is not any symbol. It
|
|
suggests nothing. A sack that has no opening suggests more and the loss
|
|
is not commensurate. The season gliding and the torn hangings receiving
|
|
mending all this shows an example, it shows the force of sacrifice and
|
|
likeness and disaster and a reason.
|
|
|
|
The time when there is not the question is only seen when there is a
|
|
shower. Any little thing is water.
|
|
|
|
There was a whole collection made. A damp cloth, an oyster, a single
|
|
mirror, a manikin, a student, a silent star, a single spark, a little
|
|
movement and the bed is made. This shows the disorder, it does, it shows
|
|
more likeness than anything else, it shows the single mind that directs
|
|
an apple. All the coats have a different shape, that does not mean that
|
|
they differ in color, it means a union between use and exercise and a
|
|
horse.
|
|
|
|
A plain hill, one is not that which is not white and red and green, a
|
|
plain hill makes no sunshine, it shows that without a disturber. So the
|
|
shape is there and the color and the outline and the miserable centre,
|
|
it is not very likely that there is a centre, a hill is a hill and no
|
|
hill is contained in a pink tender descender.
|
|
|
|
A can containing a curtain is a solid sentimental usage. The trouble in
|
|
both eyes does not come from the same symmetrical carpet, it comes from
|
|
there being no more disturbance than in little paper. This does show the
|
|
teeth, it shows color.
|
|
|
|
A measure is that which put up so that it shows the length has a steel
|
|
construction. Tidiness is not delicacy, it does not destroy the whole
|
|
piece, certainly not it has been measured and nothing has been cut off
|
|
and even if that has been lost there is a name, no name is signed and
|
|
left over, not any space is fitted so that moving about is plentiful.
|
|
Why is there so much resignation in a package, why is there rain, all
|
|
the same the chance has come, there is no bell to ring.
|
|
|
|
A package and a filter and even a funnel, all this together makes a
|
|
scene and supposing the question arises is hair curly, is it dark and
|
|
dusty, supposing that question arises, is brushing necessary, is it,
|
|
the whole special suddenness commences then, there is no delusion.
|
|
|
|
A cape is a cover, a cape is not a cover in summer, a cape is a cover
|
|
and the regulation is that there is no such weather. A cape is not
|
|
always a cover, a cape is not a cover when there is another, there is
|
|
always something in that thing in establishing a disposition to put
|
|
wetting where it will not do more harm. There is always that disposition
|
|
and in a way there is some use in not mentioning changing and in
|
|
establishing the temperature, there is some use in it as establishing
|
|
all that lives dimmer freer and there is no dinner in the middle of
|
|
anything. There is no such thing.
|
|
|
|
Why is a pale white not paler than blue, why is a connection made by a
|
|
stove, why is the example which is mentioned not shown to be the same,
|
|
why is there no adjustment between the place and the separate attention.
|
|
Why is there a choice in gamboling. Why is there no necessary dull
|
|
stable, why is there a single piece of any color, why is there that
|
|
sensible silence. Why is there the resistance in a mixture, why is there
|
|
no poster, why is there that in the window, why is there no suggester,
|
|
why is there no window, why is there no oyster closer. Why is there a
|
|
circular diminisher, why is there a bather, why is there no scraper, why
|
|
is there a dinner, why is there a bell ringer, why is there a duster,
|
|
why is there a section of a similar resemblance, why is there that
|
|
scissor.
|
|
|
|
South, south which is a wind is not rain, does silence choke speech or
|
|
does it not.
|
|
|
|
Lying in a conundrum, lying so makes the springs restless, lying so is a
|
|
reduction, not lying so is arrangeable.
|
|
|
|
Releasing the oldest auction that is the pleasing some still renewing.
|
|
|
|
Giving it away, not giving it away, is there any difference. Giving it
|
|
away. Not giving it away.
|
|
|
|
Almost very likely there is no seduction, almost very likely there is no
|
|
stream, certainly very likely the height is penetrated, certainly
|
|
certainly the target is cleaned. Come to sit, come to refuse, come to
|
|
surround, come slowly and age is not lessening. The time which showed
|
|
that was when there was no eclipse. All the time that resenting was
|
|
removal all that time there was breadth. No breath is shadowed, no
|
|
breath is paintaking and yet certainly what could be the use of paper,
|
|
paper shows no disorder, it shows no desertion.
|
|
|
|
Why is there a difference between one window and another, why is there
|
|
a difference, because the curtain is shorter. There is no distaste in
|
|
beefsteak or in plums or in gallons of milk water, there is no defiance
|
|
in original piling up over a roof, there is no daylight in the evening,
|
|
there is none there empty.
|
|
|
|
A tribune, a tribune does not mean paper, it means nothing more than
|
|
cake, it means more sugar, it shows the state of lengthening any nose.
|
|
The last spice is that which shows the whole evening spent in that
|
|
sleep, it shows so that walking is an alleviation, and yet this
|
|
astonishes everybody the distance is so sprightly. In all the time there
|
|
are three days, those are not passed uselessly. Any little thing is a
|
|
change that is if nothing is wasted in that cellar. All the rest of the
|
|
chairs are established.
|
|
|
|
A success, a success is alright when there are there rooms and no
|
|
vacancies, a success is alright when there is a package, success is
|
|
alright anyway and any curtain is wholesale. A curtain diminishes and an
|
|
ample space shows varnish.
|
|
|
|
One taste one tack, one taste one bottle, one taste one fish, one taste
|
|
one barometer. This shows no distinguishing sign when there is a store.
|
|
|
|
Any smile is stern and any coat is a sample. Is there any use in
|
|
changing more doors than there are committees. This question is so often
|
|
asked that squares show that they are blotters. It is so very agreeable
|
|
to hear a voice and to see all the signs of that expression.
|
|
|
|
Cadences, real cadences, real cadences and a quiet color. Careful and
|
|
curved, cake and sober, all accounts and mixture, a guess at anything is
|
|
righteous, should there be a call there would be a voice.
|
|
|
|
A line in life, a single line and a stairway, a rigid cook, no cook and
|
|
no equator, all the same there is higher than that another evasion. Did
|
|
that mean shame, it meant memory. Looking into a place that was hanging
|
|
and was visible looking into this place and seeing a chair did that mean
|
|
relief, it did, it certainly did not cause constipation and yet there is
|
|
a melody that has white for a tune when there is straw color. This shows
|
|
no face.
|
|
|
|
Star-light, what is star-light, star-light is a little light that is not
|
|
always mentioned with the sun, it is mentioned with the moon and the
|
|
sun, it is mixed up with the rest of the time.
|
|
|
|
Why is the name changed The name is changed because in the little space
|
|
there is a tree, in some space there are no trees, in every space there
|
|
is a hint of more, all this causes the decision.
|
|
|
|
Why is there education, there is education because the two tables which
|
|
are folding are not tied together with a ribbon, string is used and
|
|
string being used there is a necessity for another one and another one
|
|
not being used to hearing shows no ordinary use of any evening and yet
|
|
there is no disgrace in looking, none at all. This came to separate when
|
|
there was simple selection of an entire preoccupation.
|
|
|
|
A curtain, a curtain which is fastened discloses mourning, this does not
|
|
mean sparrows or elocution or even a whole preparation, it means that
|
|
there are ears and very often much more altogether.
|
|
|
|
Climate, climate is not southern, a little glass, a bright winter, a
|
|
strange supper an elastic tumbler, all this shows that the back is
|
|
furnished and red which is red is a dark color. An example of this is
|
|
fifteen years and a separation of regret.
|
|
|
|
China is not down when there are plates, lights are not ponderous and
|
|
incalculable.
|
|
|
|
Currents, currents are not in the air and on the floor and in the door
|
|
and behind it first. Currents do not show it plainer. This which is
|
|
mastered has so thin a space to build it all that there is plenty of
|
|
room and yet is it quarreling, it is not and the insistence is marked. A
|
|
change is in a current and there is no habitable exercise.
|
|
|
|
A religion, almost a religion, any religion, a quintal in religion, a
|
|
relying and a surface and a service in indecision and a creature and a
|
|
question and a syllable in answer and more counting and no quarrel and a
|
|
single scientific statement and no darkness and no question and an
|
|
earned administration and a single set of sisters and an outline and no
|
|
blisters and the section seeing yellow and the centre having spelling
|
|
and no solitude and no quaintness and yet solid quite so solid and the
|
|
single surface centred and the question in the placard and the
|
|
singularity, is there a singularity, and the singularity, why is there a
|
|
question and the singularity why is the surface outrageous, why is it
|
|
beautiful why is it not when there is no doubt, why is anything vacant,
|
|
why is not disturbing a centre no virtue, why is it when it is and why
|
|
is it when it is and there is no doubt, there is no doubt that the
|
|
singularity shows.
|
|
|
|
A climate, a single climate, all the time there is a single climate, any
|
|
time there is a doubt, any time there is music that is to question more
|
|
and more and there is no politeness, there is hardly any ordeal and
|
|
certainly there is no tablecloth.
|
|
|
|
This is a sound and obligingness more obligingness leads to a harmony
|
|
in hesitation.
|
|
|
|
A lake a single lake which is a pond and a little water any water which
|
|
is an ant and no burning, not any burning, all this is sudden.
|
|
|
|
A canister that is the remains of furniture and a looking-glass and a
|
|
bed-room and a larger size, all the stand is shouted and what is ancient
|
|
is practical. Should the resemblance be so that any little cover is
|
|
copied, should it be so that yards are measured, should it be so and
|
|
there be a sin, should it be so then certainly a room is big enough when
|
|
it is so empty and the corners are gathered together.
|
|
|
|
The change is mercenary that settles whitening the coloring and serving
|
|
dishes where there is metal and making yellow any yellow every color in
|
|
a shade which is expressed in a tray. This is a monster and awkward
|
|
quite awkward and the little design which is flowered which is not
|
|
strange and yet has visible writing, this is not shown all the time but
|
|
at once, after that it rests where it is and where it is in place. No
|
|
change is not needed. That does show design.
|
|
|
|
Excellent, more excellence is borrowing and slanting very slanting is
|
|
light and secret and a recitation and emigration. Certainly shoals are
|
|
shallow and nonsense more nonsense is sullen. Very little cake is water,
|
|
very little cake has that escape.
|
|
|
|
Sugar any sugar, anger every anger, lover sermon lover, centre no
|
|
distractor, all order is in a measure.
|
|
|
|
Left over to be a lamp light, left over in victory, left over in saving,
|
|
all this and negligence and bent wood and more even much more is not so
|
|
exact as a pen and a turtle and even, certainly, and even a piece of the
|
|
same experience as more.
|
|
|
|
To consider a lecture, to consider it well is so anxious and so much a
|
|
charity and really supposing there is grain and if a stubble every
|
|
stubble is urgent, will there not be a chance of legality. The sound is
|
|
sickened and the price is purchased and golden what is golden, a
|
|
clergyman, a single tax, a currency and an inner chamber.
|
|
|
|
Checking an emigration, checking it by smiling and certainly by the same
|
|
satisfactory stretch of hands that have more use for it than nothing,
|
|
and mildly not mildly a correction, not mildly even a circumstance and a
|
|
sweetness and a serenity. Powder, that has no color, if it did have
|
|
would it be white.
|
|
|
|
A whole soldier any whole soldier has no more detail than any case of
|
|
measles.
|
|
|
|
A bridge a very small bridge in a location and thunder, any thunder,
|
|
this is the capture of reversible sizing and more indeed more can be
|
|
cautious. This which makes monotony careless makes it likely that there
|
|
is an exchange in principle and more than that, change in organization.
|
|
|
|
This cloud does change with the movements of the moon and the narrow the
|
|
quite narrow suggestion of the building. It does and then when it is
|
|
settled and no sounds differ then comes the moment when cheerfulness is
|
|
so assured that there is an occasion.
|
|
|
|
A plain lap, any plain lap shows that sign, it shows that there is not
|
|
so much extension as there would be if there were more choice in
|
|
everything. And why complain of more, why complain of very much more.
|
|
Why complain at all when it is all arranged that as there is no more
|
|
opportunity and no more appeal and not even any more clinching that
|
|
certainly now some time has come.
|
|
|
|
A window has another spelling, it has "f" all together, it lacks no more
|
|
then and this is rain, this may even be something else, at any rate
|
|
there is no dedication in splendor. There is a turn of the stranger.
|
|
|
|
Catholic to be turned is to venture on youth and a section of debate, it
|
|
even means that no class where each one over fifty is regular is so
|
|
stationary that there are invitations.
|
|
|
|
A curving example makes righteous finger-nails. This is the only object
|
|
in secretion and speech.
|
|
|
|
To being the same four are no more than were taller. The rest had a big
|
|
chair and a surveyance a cold accumulation of nausea, and even more than
|
|
that, they had a disappointment.
|
|
|
|
Nothing aiming is a flower, if flowers are abundant then they are lilac,
|
|
if they are not they are white in the centre.
|
|
|
|
Dance a clean dream and an extravagant turn up, secure the steady rights
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and translate more than translate the authority, show the choice and
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make no more mistakes than yesterday.
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This means clearness, it means a regular notion of exercise, it means
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more than that, it means liking counting, it means more than that, it
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does not mean exchanging a line.
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Why is there more craving than there is in a mountain. This does not
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seem strange to one, it does not seem strange to an echo and more surely
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is in there not being a habit. Why is there so much useless suffering.
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|
Why is there.
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Any wet weather means an open window, what is attaching eating, anything
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|
that is violent and cooking and shows weather is the same in the end and
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why is there more use in something than in all that.
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The cases are made and books, back books are used to secure tears and
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|
church. They are even used to exchange black slippers. They can not be
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|
mended with wax. They show no need of any such occasion.
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|
A willow and no window, a wide place stranger, a wideness makes an
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|
active center.
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The sight of no pussy cat is so different that a tobacco zone is white
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|
and cream.
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A lilac, all a lilac and no mention of butter, not even bread and
|
|
butter, no butter and no occasion, not even a silent resemblance, not
|
|
more care than just enough haughty.
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|
A safe weight is that which when it pleases is hanging. A safer weight
|
|
is one more naughty in a spectacle. The best game is that which is shiny
|
|
and scratching. Please a pease and a cracker and a wretched use of
|
|
summer.
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|
Surprise, the only surprise has no occasion. It is an ingredient and the
|
|
section the whole section is one season.
|
|
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|
A pecking which is petting and no worse than in the same morning is not
|
|
the only way to be continuous often.
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|
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|
A light in the moon the only light is on Sunday. What was the sensible
|
|
decision. The sensible decision was that notwithstanding many
|
|
declarations and more music, not even notwithstanding the choice and a
|
|
torch and a collection, notwithstanding the celebrating hat and a
|
|
vacation and even more noise than cutting, notwithstanding Europe and
|
|
Asia and being overbearing, not even notwithstanding an elephant and a
|
|
strict occasion, not even withstanding more cultivation and some
|
|
seasoning, not even with drowning and with the ocean being encircling,
|
|
not even with more likeness and any cloud, not even with terrific
|
|
sacrifice of pedestrianism and a special resolution, not even more
|
|
likely to be pleasing. The care with which the rain is wrong and the
|
|
green is wrong and the white is wrong, the care with which there is a
|
|
chair and plenty of breathing. The care with which there is incredible
|
|
justice and likeness, all this makes a magnificent asparagus, and also a
|
|
fountain.
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