229 lines
7.8 KiB
Plaintext
229 lines
7.8 KiB
Plaintext
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{\rtf1\ansi\ansicpg1252\cocoartf1265\cocoasubrtf200
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{\fonttbl\f0\fnil\fcharset0 Menlo-Regular;}
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{\colortbl;\red255\green255\blue255;\red0\green116\blue0;\red170\green13\blue145;\red100\green56\blue32;
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\red28\green0\blue207;}
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\paperw16840\paperh11900\margl1440\margr1440\vieww16500\viewh14280\viewkind0
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\deftab560
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\pard\tx560\pardeftab560\pardirnatural
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\f0\fs22 \cf0 \CocoaLigature0 M3T3 MUSIC CHEAT SHEET\
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\
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\
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\cf2 // FREQUENCY AND DETUNE FUNCTIONS\cf0 \
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\cf3 void\cf0 setFrequency(\cf3 float\cf0 frequency); \cf2 // 0.0 - whatever, not sure what happens when negative :)\cf0 \
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\cf3 void\cf0 setFrequency1(\cf3 float\cf0 frequency1); \
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\cf3 void\cf0 setFrequency2(\cf3 float\cf0 frequency2);\
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\cf3 void\cf0 setFrequency3(\cf3 float\cf0 frequency3);\
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\
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\cf3 void\cf0 setSemitone1(int8_t semi); \cf2 // -24 to 24\cf0 \
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\cf3 void\cf0 setSemitone2(int8_t semi);\
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\cf3 void\cf0 setSemitone3(int8_t semi);\
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\
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\cf3 void\cf0 setDetune(\cf3 float\cf0 detune); \cf2 // 0.0 to whatever.\cf0 \
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\cf3 void\cf0 setDetune1(\cf3 float\cf0 detune); \cf2 // 1.0 is one octave.\cf0 \
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\cf3 void\cf0 setDetune2(\cf3 float\cf0 detune); \cf2 // best results with detune between 0.00 and 0.02\cf0 \
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\cf3 void\cf0 setDetune3(\cf3 float\cf0 detune);\
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\
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\cf3 void\cf0 setOsc1LFO(\cf3 bool\cf0 lfo); \cf2 // true or false\cf0 \
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\cf3 void\cf0 setOsc2LFO(\cf3 bool\cf0 lfo);\
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\cf3 void\cf0 setOsc3LFO(\cf3 bool\cf0 lfo);\
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\
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\cf3 void\cf0 setFM1(uint8_t fm); \cf2 // 0 - 127\cf0 \
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\cf3 void\cf0 setFM2(uint8_t fm);\
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\cf3 void\cf0 setFM3(uint8_t fm);\
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\
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\cf3 void\cf0 setFMoctaves(uint8_t octs); \cf2 // 1 - 128, it won\'92t go down to zero.\cf0 \
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\cf3 void\cf0 setFM1octaves(uint8_t octs);\
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\cf3 void\cf0 setFM2octaves(uint8_t octs);\
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\cf3 void\cf0 setFM3octaves(uint8_t octs);\
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\
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\cf3 void\cf0 setFM1Source(uint8_t source); \cf2 // 0 - 3 where\cf0 \
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\cf3 void\cf0 setFM2Source(uint8_t source); \cf2 // 0 is linear, 1 is Osc1\cf0 \
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\cf3 void\cf0 setFM3Source(uint8_t source); \cf2 // 2 is Osc2 and 3 is Osc3\cf0 \
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\
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\cf3 void\cf0 setFM1Shape(uint8_t shape); \cf2 // 0 - 5 where\cf0 \
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\cf3 void\cf0 setFM2Shape(uint8_t shape); \cf2 // 0 is linear full signal\cf0 \
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\cf3 void\cf0 setFM3Shape(uint8_t shape); \cf2 // 1 is envelope1, 2 is envelope2, \
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// 3 is oscillator1, 4 is oscillator2 and 5 is oscillator 3\cf0 \
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\
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\cf3 void\cf0 fmToZeroHertz(\cf3 bool\cf0 ); \cf2 // true or false, if set to true the FM sounds more harmonic\cf0 \
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\
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\cf3 void\cf0 setPortamento(int32_t port); \cf2 // 0 - 127\cf0 \
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\
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\cf3 void\cf0 set12bit(\cf3 bool\cf0 ) \cf2 // true or false\cf0 \
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\
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\
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\cf2 // WAVEFORM FUNCTIONS\cf0 \
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\cf3 void\cf0 setWaveform(uint16_t waveForm); \cf2 // JUST FOR 8bit WAVEFORMS\cf0 \
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\cf3 void\cf0 setWaveform1(uint16_t waveForm); \cf2 // 0 - 15\cf0 \
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\cf3 void\cf0 setWaveform2(uint16_t waveForm); \cf2 //\cf0 \
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\cf3 void\cf0 setWaveform3(uint16_t waveForm); \cf2 //\
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\
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// SHORTNAMES FOR WAVEFORMS\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 SINE \cf5 0\cf4 \
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SQUARE \cf5 1\cf4 \
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PULSE \cf5 2\cf4 \
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TRIANGLE \cf5 3\cf4 \
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SAW \cf5 4\cf4 \
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FUZZ \cf5 5\cf4 \
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DIGI1 \cf5 6\cf4 \
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DIGI2 \cf5 7\cf4 \
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DIGI3 \cf5 8\cf4 \
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DIGI4 \cf5 9\cf4 \
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NOISE \cf5 10\cf4 \
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DIGI6 \cf5 11\cf4 \
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TAN1 \cf5 12\cf4 \
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TAN2 \cf5 13\cf4 \
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TAN3 \cf5 14\cf4 \
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TAN4 \cf5 15\cf2 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \page \cf2 // GAIN FUNCTIONS\cf0 \
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\cf3 void\cf0 setGain(\cf3 float\cf0 value); \cf2 // 0.0 - 1.0 \cf0 \
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\cf3 void\cf0 setGain1(\cf3 float\cf0 value); \cf2 // 0.0 - 1.0 \cf0 \
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\cf3 void\cf0 setGain2(\cf3 float\cf0 value); \cf2 // 0.0 - 1.0 \cf0 \
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\cf3 void\cf0 setGain3(\cf3 float\cf0 value); \cf2 // 0.0 - 1.0 \cf0 \
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\
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\cf3 float\cf0 getGain(); \cf2 // 0.0 - 1.0 \cf0 \
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\cf3 float\cf0 getGain1(); \cf2 // 0.0 - 1.0 \cf0 \
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\cf3 float\cf0 getGain2(); \cf2 // 0.0 - 1.0 \cf0 \
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\cf3 float\cf0 getGain3(); \cf2 // 0.0 - 1.0 \cf0 \
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\
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\
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\
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\
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\cf2 // NOTE FUNCTIONS\cf0 \
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\cf3 void\cf0 noteOn(uint8_t note, uint8_t vel); \cf2 // 0 - 127\cf0 \
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\cf3 void\cf0 noteOn(uint8_t note); \cf2 // 0 - 127\cf0 \
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\
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\cf3 void\cf0 noteOff(uint8_t note); \cf2 // 0 - 127\cf0 \
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\cf3 void\cf0 noteOff();\
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\
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\cf3 float\cf0 getNoteFrequency(uint8_t note); \cf2 // 0 - 127\cf0 \
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\
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\
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\
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\
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\cf2 // ENVELOPE FUNCTIONS\cf0 \
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\cf3 void\cf0 enableEnvelope1();\
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\cf3 void\cf0 disableEnvelope1(); \
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\
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\cf3 void\cf0 setEnv1Attack(uint8_t att); \cf2 // 0 - 127 \cf0 \
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\cf3 void\cf0 setEnv1Decay(uint8_t dec); \cf2 // 0 - 127 \cf0 \
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\cf3 void\cf0 setEnv1Sustain(uint8_t sus); \cf2 // 0 - 127 \cf0 \
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\cf3 void\cf0 setEnv1Release(uint8_t rel); \cf2 // 0 - 127 \cf0 \
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\
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\cf3 void\cf0 enableEnvelope2();\
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\cf3 void\cf0 disableEnvelope2();\
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\
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\cf3 void\cf0 setEnv2Attack(uint8_t att); \cf2 // 0 - 127 \cf0 \
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\cf3 void\cf0 setEnv2Decay(uint8_t dec); \cf2 // 0 - 127 \cf0 \
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\cf3 void\cf0 setEnv2Sustain(uint8_t sus); \cf2 // 0 - 127 \cf0 \
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\cf3 void\cf0 setEnv2Release(uint8_t rel); \cf2 // 0 - 127 \cf0 \
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\
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\
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\cf3 void\cf0 getPreset(uint8_t p); \cf2 // 0 - 47, 0 to 15 are user presets on EEPROM\
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// 16 to 47 are \'93factory presets\'94\cf0 \
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\cf3 void\cf0 savePreset(uint8_t p); \cf2 // 0 - 15, saves current instrument to EEPROM \cf0 \
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\cf3 void\cf0 sendInstrument(); \cf2 // send current instrument via MIDI as controller messages\
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\
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 BANK_U \cf5 0 \cf2 // User preset bank\cf4 \
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BANK_A \cf5 16 \cf2 // Preset bank A\cf0 \
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\cf4 BANK_B \cf5 32 \cf2 // Preset bank B\cf0 \
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\cf4 BANK_C \cf5 48 \cf2 // Preset bank C\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf2 \page \
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\
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\
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\
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\
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\
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//synth parameters as MIDI controller numbers\cf0 \
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\cf2 //synth functions and parameters as MIDI controller numbers\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 PRESET_SAVE \cf5 0\cf4 \
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PRESET_RECALL \cf5 1\cf4 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 IS_12_BIT \cf5 3\cf4 \
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CUTOFF \cf5 4 \cf4 \
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ZERO_HZ_FM \cf5 5\cf4 \
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FM_OCTAVES \cf5 6\cf4 \
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PORTAMENTO \cf5 8\cf4 \
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FILTER_TYPE \cf5 9\cf4 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 LFO1 \cf5 10\cf4 \
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SEMITONE1 \cf5 11\cf4 \
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DETUNE1 \cf5 12\cf4 \
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GAIN1 \cf5 13\cf4 \
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WAVEFORM1 \cf5 14\cf4 \
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FM1 \cf5 15\cf4 \
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FM1_OCTAVES \cf5 16\cf4 \
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FM1_SOURCE \cf5 17\cf4 \
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FM1_SHAPE \cf5 18\cf4 \
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FREQUENCY1 \cf5 19\cf4 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 LFO2 \cf5 20\cf4 \
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SEMITONE2 \cf5 21\cf4 \
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DETUNE2 \cf5 22\cf4 \
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GAIN2 \cf5 23\cf4 \
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WAVEFORM2 \cf5 24\cf4 \
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FM2 \cf5 25\cf4 \
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FM2_OCTAVES \cf5 26\cf4 \
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FM2_SOURCE \cf5 27\cf4 \
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FM2_SHAPE \cf5 28\cf4 \
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FREQUENCY2 \cf5 29\cf4 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 LFO3 \cf5 30\cf4 \
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SEMITONE3 \cf5 31\cf4 \
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DETUNE3 \cf5 32\cf4 \
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GAIN3 \cf5 33\cf4 \
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WAVEFORM3 \cf5 34\cf4 \
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FM3 \cf5 35\cf4 \
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FM3_OCTAVES \cf5 36\cf4 \
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FM3_SOURCE \cf5 37\cf4 \
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FM3_SHAPE \cf5 38\cf4 \
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FREQUENCY3 \cf5 39\cf4 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 CUTOFF_MOD_AMOUNT \cf5 70\cf4 \
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CUTOFF_SOURCE \cf5 72\cf4 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 ENV1_VELOCITY \cf5 112\cf4 \
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ENV1_ENABLE \cf5 113\cf4 \
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ENV1_ATTACK \cf5 114\cf4 \
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ENV1_DECAY \cf5 115\cf4 \
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ENV1_SUSTAIN \cf5 116\cf4 \
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ENV1_RELEASE \cf5 117\cf4 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf0 \
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\pard\tx560\pardeftab560\pardirnatural
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\cf4 ENV2_VELOCITY \cf5 122\cf4 \
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ENV2_ENABLE \cf5 123\cf4 \
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ENV2_ATTACK \cf5 124\cf4 \
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ENV2_DECAY \cf5 125\cf4 \
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ENV2_SUSTAIN \cf5 126\cf4 \
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ENV2_RELEASE \cf5 127\cf4 \
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\
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}
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