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@misc{pontin_how_2012,
title = {How Authors Write},
url = {http://www.technologyreview.com/review/429654/how-authors-write/},
abstract = {The technologies of composition, not new media, inspire ­innovations in literary styles and forms.},
urldate = {2015-02-07},
journal = {{MIT} Technology Review},
author = {Pontin, Jason},
month = oct,
year = {2012},
keywords = {wwwriting},
file = {Snapshot:/Users/gauthiier/docs/~~~/texts/_systems/zozo/storage/Z6GX74EM/Pontin - 2012 - How Authors Write.html:text/html}
}
@book{montfort_10_2014,
title = {10 {PRINT} {CHR}\$(205.5+{RND}(1))[semi-colon] [colon] {GOTO} 10},
isbn = {9780262526746 0262526743},
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language = {English},
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author = {Montfort, Nick},
year = {2014},
keywords = {wwwriting}
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}
@book{kittler_discourse_1990,
title = {Discourse Networks 1800/1900},
isbn = {9780804720991},
abstract = {This is a highly original book about the connections between historical moment, social structure, technology, communication systems, and what is said and thought using these systems--notably literature. The author focuses on the differences between 'discourse networks' in 1800 and in 1900, in the process developing a new analysis of the shift from romanticism to modernism. The work might be classified as a German equivalent to the New Historicism that is currently of great interest among American literary scholars, both in the intellectual influences to which Kittler responds and in his concern to ground literature in the most concrete details of historical reality. The artful structure of the book begins with Goethe's Faust and ends with Valéry's Faust. In the 1800 section, the author discusses how language was learned, the emergence of the modern university, the associated beginning of the interpretation of contemporary literature, and the canonization of literature. Among the writers and works Kittler analyzes in addition to Goethe's Faust are Schlegel, Hegel, E.T.A. Hoffman's 'The Golden Pot', and Goethe's Tasso. The 1900 section argues that the new discourse network in which literature is situated in the modern period is characterized by new technological media--film, the photograph, and the typewritten page--and the crisis that these caused for literary production. Along the way, the author discusses the work of Nietzsche, Gertrude Stein, Mallarmé, Bram Stroker, the Surrealists, Rilke, Kafka, and Freud, among others.},
language = {en},
publisher = {Stanford University Press},
author = {Kittler, Friedrich A.},
year = {1990},
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keywords = {Literary Criticism / Books \& Reading, Literary Criticism / European / German, wwwriting}
}
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@book{kirschenbaum_mechanisms_2012,
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address = {Cambridge, Mass.; London},
title = {Mechanisms: new media and the forensic imagination},
isbn = {9780262517409 026251740X},
shorttitle = {Mechanisms},
language = {English},
publisher = {{MIT} Press},
author = {Kirschenbaum, Matthew G.},
year = {2012},
keywords = {wwwriting}
}
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@article{kirschenbaum_book-writing_2013,
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title = {The Book-Writing Machine},
issn = {1091-2339},
url = {http://www.slate.com/articles/arts/books/2013/03/len_deighton_s_bomber_the_first_book_ever_written_on_a_word_processor.html},
abstract = {What was the first novel ever written on a word processor?},
language = {en-{US}},
urldate = {2015-02-07},
journal = {Slate},
author = {Kirschenbaum, Matthew},
month = mar,
year = {2013},
keywords = {wwwriting},
file = {Slate Snapshot:/Users/gauthiier/docs/~~~/texts/_systems/zozo/storage/IW6SPMUD/len_deighton_s_bomber_the_first_book_ever_written_on_a_word_processor.single.html:text/html}
}
@book{cox_speaking_2013,
address = {Cambridge, Mass},
series = {Software studies},
title = {Speaking code: coding as aesthetic and political expression},
isbn = {9780262018364},
shorttitle = {Speaking code},
publisher = {The {MIT} Press},
author = {Cox, Geoff},
collaborator = {McLean, Alex},
year = {2013},
keywords = {Computer prose, Philosophy, Programming languages (Electronic computers), Source code (Computer science), Syntax, wwwriting}
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}
@article{amdahl_architecture_1964,
title = {Architecture of the {IBM} System/360},
volume = {8},
issn = {0018-8646},
doi = {10.1147/rd.82.0087},
abstract = {The architecture of the newly announced {IBM} System/360 features four innovations: 1. An approach to storage which permits and exploits very large capacities, hierarchies of speeds, read-only storage for microprogram control, flexible storage protection, and simple program relocation. 2. An input/output system offering new degrees of concurrent operation, compatible channel operation, data rates approaching 5,000,000 characters/second, integrated design of hardware and software, a new low-cost, multiple-channel package sharing main-frame hardware, new provisions for device status information, and a standard channel interface between central processing unit and input/output devices. 3. A truly general-purpose machine organization offering new supervisor facilities, powerful logical processing operations, and a wide variety of data formats. 4. Strict upward and downward machine-language compatibility over a line of six models having a performance range factor of 50. This paper discusses in detail the objectives of the design and the rationale for the main features of the architecture. Emphasis is given to the problems raised by the need for compatibility among central processing units of various size and by the conflicting demands of commercial, scientific, real-time, and logical information processing. A tabular summary of the architecture is shown in the Appendices.},
number = {2},
journal = {{IBM} Journal of Research and Development},
author = {Amdahl, G.M. and Blaauw, G.A. and Brooks, F.P.},
month = apr,
year = {1964},
keywords = {wwwriting},
pages = {87--101},
file = {IEEE Xplore Abstract Record:/Users/gauthiier/docs/~~~/texts/_systems/zozo/storage/SWZK9CWM/articleDetails.html:text/html}
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}
@book{lazzarato_signs_2014,
address = {Los Angeles, CA},
series = {Semiotext(e) foreign agents series},
title = {Signs and machines: capitalism and the production of subjectivity},
isbn = {1584351306},
shorttitle = {Signs and machines},
publisher = {Semiotext(e)},
author = {Lazzarato, M.},
collaborator = {Jordan, Joshua David},
year = {2014},
keywords = {Capitalism, Philosophy, Subjectivity}
}
@book{kirschenbaum_mechanisms:_2012,
address = {Cambridge, Mass.; London},
title = {Mechanisms: new media and the forensic imagination},
isbn = {9780262517409 026251740X},
shorttitle = {Mechanisms},
language = {English},
publisher = {MIT Press},
author = {Kirschenbaum, Matthew G.},
year = {2012},
keywords = {wwwriting}
}
@article{hansen_technics_2012,
title = {Technics {Beyond} the {Temporal} {Object}},
volume = {77},
doi = {10.3898/NEWF.77.03.2012},
number = {1},
journal = {New Formations},
author = {Hansen, Mark B. N.},
month = dec,
year = {2012},
keywords = {Computation, Erlebnis, Husserl, Microtemporal Experience, Sensibility, Technical Contamination, Temporal Object, Time-Consciousness},
pages = {44--62}
}
@book{guattari_soft_2009,
address = {Los Angeles : Cambridge, Mass},
series = {Semiotext(e) foreign agents series},
title = {Soft subversions: texts and interviews 1977-1985},
isbn = {9781584350736},
shorttitle = {Soft subversions},
publisher = {Semiotext(e) ; Distributed by the MIT Press},
author = {Guattari, Félix},
collaborator = {Lotringer, Sylvère},
year = {2009},
keywords = {20th century, Criticism, History, Psychoanalysis and literature, Psychological aspects}
}
@article{guattari_machines_1995,
series = {Journal of {Philosophy} and the {Visual} {Arts}},
title = {On {Machines}},
number = {6},
journal = {Complexity: architecture, art, philosophy},
author = {Guattari, Félix},
editor = {Benjamin, Andrew},
year = {1995},
pages = {96}
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}